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논문 기본 정보

자료유형
학술저널
저자정보
Matthew D. McMULLEN (Nanzan Institute for Religion and Culture)
저널정보
동국대학교 불교학술원 International Journal of Buddhist Thought and Culture International Journal of Buddhist Thought & Culture Vol.31 No.2
발행연도
2021.12
수록면
101 - 128 (28page)
DOI
10.16893/IJBTC.2021.12.31.2.101

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초록· 키워드

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The configurations of buddhas and deities in the Vajradhātu and Garbhadhātu Mandalas are traditionally thought to represent the contents of the Sarvatathāgatatattvasaṃgraha and the Mahāvairocanābhisaṃbodhi Sūtra, the primary sutras of the Japanese Shingon school of esoteric Buddhism. Although praised for their detailed iconography and noted for their ritual function in consecration rites, the mandala also played a role in a discourse among Tendai and Shingon scholiasts regarding the relationship between Vairocana and Śākyamuni. The structure of the Garbhadhātu Mandala, in particular, and the relative positioning of the buddhas in this mandala became a matter of debate in the Tendai school, who had long considered these to be the same buddha by different names.
To resolve this doctrinal problem, they created an interpretative framework, or mandala hermeneutic, for explaining the network of the buddhas and deities in the mandala in which individual beings functioned as “source” and “trace” of the Buddha’s teachings. The theory of source and trace (honji suijaku) was the ideological basis for the assimilation of buddhas and local deities in Japan, constituting the core of medieval Japanese religion. In this article, I explore the development of the source-trace theory as it evolved from an exegetical paradigm in Chinese Buddhism to a hermeneutic in early medieval Japan for explaining the connections between the deities in the Garbhadhātu Mandala.

목차

Abstract
Source-Trace as an Exegetical Paradigm in Chinese Buddhism
The Positions of Vairocana and Śākyamuni in the Garbhadhātu Mandala
The Source-Trace Hermeneutic and Sequences for Entering the Garbhadhātu Mandala
Conclusion
References

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