지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2021.9
- 수록면
- 7 - 28 (22page)
- DOI
- 10.29324/jewcl.2021.9.57.7
이용수
초록· 키워드
오류제보하기
The purpose of this study is to comprehensively discuss the Scythian culture, the archetypal female hero image, and the shamanistic tradition in the Kazakhstan film The Legend of Tomiris directed by Akan Satayev.
In general, historical and literary works tend to portray women as passive images. In traditional societies, women were portrayed in a distorted form from a man’s point of view. For example, the woman depicted in mythology has the image of a fragile and submissive who needs the protection of men. These distorted images of women were constantly enlarged and reproduced in various literary works and myths.
In particular, in the process of male-centered modernization, prejudices and distorted perceptions of women have deepened. The socio-educational function of the image of women fixed and biased by men since ancient times can be defined as symbolic violence. Distorted images or stereotypes of women undermined women’s subjective abilities and reduced women’s roles to a limited area of role. However, the image of women in ancient society is different from the existing fixed image of women. It is different from the image presented in modern and contemporary society.
The female hero, Tomiris is one of the figures who excelled as a leader and a warrior in the ancient world while standing proudly against men. Tomiris is a real person who actually existed in history, and was a valiant female warrior who prevented the invasion of the great empire of Persia. The necessity of discussing the archetypal female hero is because through the image of the female hero of the ancient nomadic society, it is possible to understand the characteristics and abilities of various women beyond the existing distorted female image.
Tomiris is a female warrior and heroine who overcomes all kinds of adversity and hardships and unites the nomads of the steppe to face the invasion of the Persian Empire. In other words, the movie The Legend of Tomiris breaks down the stereotyped image and prejudice against women and induces a new cognitive awareness of women.
In general, historical and literary works tend to portray women as passive images. In traditional societies, women were portrayed in a distorted form from a man’s point of view. For example, the woman depicted in mythology has the image of a fragile and submissive who needs the protection of men. These distorted images of women were constantly enlarged and reproduced in various literary works and myths.
In particular, in the process of male-centered modernization, prejudices and distorted perceptions of women have deepened. The socio-educational function of the image of women fixed and biased by men since ancient times can be defined as symbolic violence. Distorted images or stereotypes of women undermined women’s subjective abilities and reduced women’s roles to a limited area of role. However, the image of women in ancient society is different from the existing fixed image of women. It is different from the image presented in modern and contemporary society.
The female hero, Tomiris is one of the figures who excelled as a leader and a warrior in the ancient world while standing proudly against men. Tomiris is a real person who actually existed in history, and was a valiant female warrior who prevented the invasion of the great empire of Persia. The necessity of discussing the archetypal female hero is because through the image of the female hero of the ancient nomadic society, it is possible to understand the characteristics and abilities of various women beyond the existing distorted female image.
Tomiris is a female warrior and heroine who overcomes all kinds of adversity and hardships and unites the nomads of the steppe to face the invasion of the Persian Empire. In other words, the movie The Legend of Tomiris breaks down the stereotyped image and prejudice against women and induces a new cognitive awareness of women.
목차
Ⅰ. 서론
Ⅱ. 스키타이 문화
Ⅲ. 결론
Works Cited
Abstract
참고문헌 (19)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
중국 자이융밍(翟永明) 시의 ‘검은 밤의 의식’과 죽음 콤플렉스 ―연작시 “여인”을 중심으로
유라시아연구
2024 .09
-
李漁≪十二樓≫中的女性群像以及由此表現出的李漁的女性觀
중국어문논총
2015 .12
-
여성 서사의 전통: 1994년과 2019년 영화 『작은 아씨들』 연구
영어영문학연구
2021 .11
-
여대생의 성찰을 통해 본 한국사회 여성 리더십의 의미 탐색
인문사회과학연구
2016 .01
-
신여성과 패션 그리고 오스카 와일드의 미학론
19세기 영어권 문학
2018 .08
-
여성의 차별적 이미지 재현과 성차별 언어 표현의 양상: 2014~2019년 영화를 중심으로
사회언어학
2021 .09
-
1950~1960년대 농촌 마을 부녀회의 조직과 성격
역사와현실
2018 .06
-
북한의 여성과 여성 혁명가에 관한 이미지 연구 - 전근대사 및 ‘김정숙’ 관련 교육을 중심으로
서강인문논총
2020 .12
-
한일 근대 여성작가의 탄생과 정체성 연구
어문론집
2016 .06
-
Rural Women’s Right and Images during Late Middle Ages Focusing on the Distaff Gospel
Madang: Journal of Contextual Theology
2021 .06
-
1930년대 중국소비에트구의 여성운동
사림
2017 .01
-
16세기 영국의 출판산업과 여성
영미문학페미니즘
2015 .01
-
Women's Employment, State Legal Protection of Women's Economic Rights, and Gender Prejudice: Evidence from 52 Countries
Korea Observer
2015 .03
-
Reading Church Women hybridity From the Perspective of Postcolonial Feminism
Madang: Journal of Contextual Theology
2023 .06
-
1950년대 ‘직업여성’ 담론을 통해 본 여성들의 일과 결혼 : 정비석의 『여성전선』, 『세기의 종』을 중심으로
한국문학과 예술
2017 .09
-
4차 산업혁명 사회 속 이미지에 대한 현상학적 연구 -메를로-퐁티의 현상학을 토대로-
대동철학
2018 .09
-
해방 후 좌익계 여성운동의 방향과 한계: 잡지 『女性公論』을 중심으로
이화사학연구
2017 .01
-
‘여성혐오’의 문학문화사(II)- 1898～1910년을 중심으로
석당논총
2017 .01
-
페미니스트 패션 브랜드의 특성과 여성 이미지
복식문화연구
2018 .01
-
근대 계몽기 신문 소재 논설의 여성문제와 여자교육 담론의 분포와 의미
인문과학연구
2021 .09
이 논문의 저자 정보
이 논문과 함께 이용한 논문
파놉티콘 감시와 정치적 주체되기의 영화적 재현
박종덕
신영어영문학
2021
.11
영문학을 매개체로 한 양자물리학과 종교의 융합적 대화 : 영화 <인터스텔라> 속에 투영된 불교적 요소 및 사상 연구
이노신
,
이신재
,
이재영
외 1명
동서비교문학저널
2016
.06
극작가의 스크린플레이 연구 : 핀터의 『하인』을 중심으로
박종덕
신영어영문학
2014
.11
정치극의 영화적 변용 : 핀터의 The Trial을 중심으로
박종덕
현대영미드라마
2014
.08
영화의 종교적 구조에 대한 성찰 : 영화, 종교(학)적으로 읽기를 위한 예비적 작업
신광철
종교문화연구
2002
.10
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2021-800-002141297