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자료유형
학술저널
저자정보
김순배 (성균관대)
저널정보
19세기영어권문학회 19세기 영어권 문학 19세기 영어권 문학 제22권 제2호
발행연도
2018.8
수록면
7 - 27 (21page)
DOI
10.24152/NCLE.2018.8.22.2.7

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This essay investigates the connection between the notion of “new woman” in Oscar Wilde’s literary world and his aestheticism mainly focusing on his editorship of the monthly journal The Women’s World. When Wilde proclaims that “Life imitates art far more than Art imitates life” in “The Decay of Lying,” following the doctrine of aestheticism or “Art for Art’s sake,” he does not mean to discard or stay away from social and cultural reality. His enthusiastic involvement with the journal is sure to be an outstanding example of how much he tries to reconcile the gap between aesthetic solipsism and active socialism. Wilde’s pursuit of “new woman” and the media shows his immediate and intimate connection with the Victorian society. He is eager to present new types of women through his literary works such as Mrs. Erlynne in Lady Windermere’s Fan, Cecily Cardew and Gwendolen Fairfax from The Importance of Being Earnest, and Salome from the eponymous tragedy. They can be called “female dandies” who are ready to be confident and courageous enough to resist the moral sense of conscience or any Victorian norm which is primarily fabricated around the ideal or “the angel in the house.” Further, since any particular gender role is not something prearranged or predetermined for both sexes, Wilde’s new woman is concerned with establishing her own identity by pursuing the sensuous and performative life which has been suppressed in the patriarchal and imperial society. In so doing, the aesthetic quest for new woman becomes an essential part of life in constructing her own self.

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UCI(KEPA) : I410-ECN-0101-2018-840-003335412