개인구독
소속 기관이 없으신 경우, 개인 정기구독을 하시면 저렴하게
논문을 무제한 열람 이용할 수 있어요.
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 미술사연구회 미술사연구 미술사연구 제38호
- 발행연도
- 2020.6
- 수록면
- 159 - 190 (32page)
- DOI
- 10.52799/JAH.2020.06.38.159
이용수
초록· 키워드
오류제보하기
The capital-based aristocracy played a leading role in 19th-century Joseon society. Among them, two extended families, the Hong clan of Pungsan and the Han clan of Cheongju, were closely connected by both marital and academic ties. When Han Pil-gyo became the son-in-law of Hong Seok-ju (1774~1842), literati in the newly-connected families began sharing academic and artist tendencies. Han Jang-seok (1832~1894), in particular, was widely recognized as the academic heir of his maternal grandfather, Hong Seok-ju. The large book collection of the three Hong brothers included a variety of contents related to calligraphy and painting. Hong Seok-ju, aware of the utility of calligraphy and painting, used works that he had produced himself as teaching materials. Hong Hyeon-ju, Seok-ju’s younger brother and a son-in-law of the king, was a particularly enthusiastic collector of books, calligraphy, paintings and antiques. The Hong family used Ming and Qing landscape prints for appreciating scenic spots in China, and also owned paintings of Mt. Geumgang, which became fashionable in the 18th century.
Han Pil-gyo and his son Jang-seok, who had easy access to the Hong family’s books and artwork collection, were not particularly active as collectors of calligraphic paintings and antique items. Their own art collection was weighted towards paintings of a didactic nature, revealing their conservative tastes in art. But Han Pil-gyo and his son were also leading producers of real scenery landscape paintings related to their official life. Han Pil-gyo created Sukcheon jea-do (宿踐諸衙圖: Illustrations of My Places of Work), a collection of maps and paintings of official buildings in the counties to which he had been posted as an official, while Han Jang-seok produced poetry and painting albums and painted folding screens depicting scenic spots in Pyeongan Province, where he had been posted during his official career. Han Jang-seok also commissioned and produced several pictures of scenic spots in Hamgyeong Province while serving as provincial governor there. Han Pil-gyo and his son perceived real scenery paintings as vehicles for the pastime of wayu (臥遊: armchair sightseeing) and as records for conveying their profile to future generations.
19th-century capital-based aristocrats thus used a variety of visual materials, in addition to painting itself, for appreciating and consuming real scenery images. These included print illustrations in books, and maps. After the 18th century, this recreational trend became established among provincial officials, and literati-officials began using real scenery paintings and maps as personal souvenirs. The families of Hong Seok-ju and Han Jang-seok can be regarded as prominent capital-based aristocrats in the development of this trend.
Han Pil-gyo and his son Jang-seok, who had easy access to the Hong family’s books and artwork collection, were not particularly active as collectors of calligraphic paintings and antique items. Their own art collection was weighted towards paintings of a didactic nature, revealing their conservative tastes in art. But Han Pil-gyo and his son were also leading producers of real scenery landscape paintings related to their official life. Han Pil-gyo created Sukcheon jea-do (宿踐諸衙圖: Illustrations of My Places of Work), a collection of maps and paintings of official buildings in the counties to which he had been posted as an official, while Han Jang-seok produced poetry and painting albums and painted folding screens depicting scenic spots in Pyeongan Province, where he had been posted during his official career. Han Jang-seok also commissioned and produced several pictures of scenic spots in Hamgyeong Province while serving as provincial governor there. Han Pil-gyo and his son perceived real scenery paintings as vehicles for the pastime of wayu (臥遊: armchair sightseeing) and as records for conveying their profile to future generations.
19th-century capital-based aristocrats thus used a variety of visual materials, in addition to painting itself, for appreciating and consuming real scenery images. These included print illustrations in books, and maps. After the 18th century, this recreational trend became established among provincial officials, and literati-officials began using real scenery paintings and maps as personal souvenirs. The families of Hong Seok-ju and Han Jang-seok can be regarded as prominent capital-based aristocrats in the development of this trend.
목차
Ⅰ. 머리말
Ⅱ. 홍석주와 한장석 가문의 인적 관계망과 학예성향
Ⅲ. 홍석주 가문의 서화취미와 실경도
Ⅳ. 한장석 가문의 서화취미와 실경도
Ⅴ. 맺음말
참고문헌
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
풍산 홍씨 네 형제가 제작한 〈菊蝶圖〉
미술자료
2018 .12
-
‘홍콩’이란 무대를 마주하다
한국연극학
2024 .08
-
[Art Basel Hong Kong] 잃어버린 4년, 변함 없는 클래스
아트인컬처
2023 .06
-
Liquid Crystal Art Composition 2(Collaboration with Hong-Gyu Park)
International Invitation Exhibition of Color Works
2021 .12
-
홍신자의 초기 무용작품에 나타난 특성 연구
무용예술학연구
2015 .01
-
[독자사연] 단원 김홍도 아들 양기(연록) 이름의 연원과 충북 괴산군 연풍면
월간미술
2023 .12
-
홍콩 역사적 건축물의 문화적 재생 방향에 관한 연구 – 2008년 이후 개관한 사례를 중심으로 –
한국공간디자인학회 논문집
2023 .04
-
김홍도의 다양한 면모를 탐구하다
한국예술연구
2024 .09
-
강태홍류 산조춤의 전승과정 연구
한국무용연구
2023 .03
-
City Dialogue: Capturing Hong Kong’s Urban Typographic Script
한국디자인학회 국제초대전도록
2023 .12
-
피아니스트 김원복(金元福)의 1950년 이전까지의 음악 활동: ‘음악가족’을 중심으로
이화음악논집
2023 .03
-
경성의 삶과 회화: 조선미술전람회 입선작으로 본 1920~30년대 미술과 도시
미술자료
2017 .06
-
A Phenomenology of the Contemporary Quotidian Korean World : Within/without Hong’s Early films, Turning Gate (2002) and Woman on the Beach (2006)
씨네포럼
2019 .04
-
교차문화로서의 홍콩 인포메이션 디자인에 관한 연구 - 도로표지판을 중심으로 -
기초조형학연구
2019 .08
-
홍승혜의 픽셀 추상 연구: 기계와의 상호작용을 중심으로
현대미술사연구
2023 .12
-
단원 김홍도 아들 연록(延祿)과 양기(良驥) 이름 연원(淵源)에 관한 연구
미술문화연구
2022 .12
-
홍콩 누아르에서 포스트-홍콩 누아르까지 성찰적으로 바라보기 : 시차, 정동, 노스탤지어를 중심으로
씨네포럼
2023 .12
-
《홍지윤 스타일》
월간미술
2025 .03
-
[UP-AND-COMING ARTIST] 홍민키 Hong Minki_상실된 역사를 복원하며
월간미술
2023 .03
-
[특집] 홍콩 오디세이-아시아 미술시장의 성장과 확산
월간미술
2023 .05
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2020-609-000653775