지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 중앙대학교 일본연구소 일본연구 일본연구 제51집
- 발행연도
- 2019.8
- 수록면
- 133 - 148 (16page)
- DOI
- 10.20404/jscau.2019.08.51.133
이용수
초록· 키워드
오류제보하기
Each January, Japan’s imperial court hosts the New Year’s Poetry Contest for members of the imperial family and some carefully chosen private citizens to read Waka poems they had composed on a preannounced theme. Every year, more than 20,000 Tanka are received from private citizens.
This ceremony, known as the Utakai Hajime(Imperial New Year’s Poetry Reading), is the modern version of a court culture supposedly dating back to the mid-Kamakura period. It is a traditional event where the imperial court interacts with the general public through Waka.
From 1874, poems written by the general public were admitted for consideration for the first time, and the Utakai Hajime ceremony which had previously been conducted exclusively within the court thus became open to the common people. In 1879, of the poems submitted by the general public, those considered to be of special value were recited at the Utakai Hajime, along with poems written by the imperial family.
Since 1882, all poems recited at the ceremony including those written by the Emperor and the imperial family have been published in newspapers and since 1884 they have been also published in the a government organ.
Such changes reflect efforts to advertise the modern emperor’s presence and imperial authority to the public and build a nation of subjects who would partake in the tradition of Waka composition passed on for over a millennium. In the process, Waka was the ‘Japanese national identity’, has been disseminated and strengthened through various kinds of the culture media. Ceremonies such as the Utakai Hajime had served to establish the emperor as a symbol of continuity and cohesion.
Especially the print media like newspapers and magazines had played a role in both perpetuating and institutionalizing national culture. This article first chronicles the history of the Utakai Hajime and then, explores the relationships between National Literature and print media through analysing a role of the print media as a constructer of national identities, particularly focused on newspapers.
This ceremony, known as the Utakai Hajime(Imperial New Year’s Poetry Reading), is the modern version of a court culture supposedly dating back to the mid-Kamakura period. It is a traditional event where the imperial court interacts with the general public through Waka.
From 1874, poems written by the general public were admitted for consideration for the first time, and the Utakai Hajime ceremony which had previously been conducted exclusively within the court thus became open to the common people. In 1879, of the poems submitted by the general public, those considered to be of special value were recited at the Utakai Hajime, along with poems written by the imperial family.
Since 1882, all poems recited at the ceremony including those written by the Emperor and the imperial family have been published in newspapers and since 1884 they have been also published in the a government organ.
Such changes reflect efforts to advertise the modern emperor’s presence and imperial authority to the public and build a nation of subjects who would partake in the tradition of Waka composition passed on for over a millennium. In the process, Waka was the ‘Japanese national identity’, has been disseminated and strengthened through various kinds of the culture media. Ceremonies such as the Utakai Hajime had served to establish the emperor as a symbol of continuity and cohesion.
Especially the print media like newspapers and magazines had played a role in both perpetuating and institutionalizing national culture. This article first chronicles the history of the Utakai Hajime and then, explores the relationships between National Literature and print media through analysing a role of the print media as a constructer of national identities, particularly focused on newspapers.
목차
1. 들어가며
2. 오우타도코로 파(御歌所派)와 우타카이하지메
3. 칙제 및 어제와 영진가-신문의 역할
4. 한일병합 전후의 초기 일본어 신문과 칙제 문예
5. 우타카이하지메와 식민지 조선인의 칙제 문예
6. 맺음말을 대신하여
〈参考文献〉
〈Abstract〉
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
헤이안 시대 연애담에 나타난 와카의 기능 ―가덕의 요소를 지닌 이야기를 중심으로―
日本學硏究
2020 .01
-
<경판본 흥부전>의 두 가지 번역지평 -알렌, 쿠랑, 다카하시, 게일의 <흥부전> 번역사례를 중심으로-
열상고전연구
2015 .10
-
와카 표현과 공간 -『만요슈』를 중심으로-
일본연구
2021 .08
-
일제 말 『매일신보』 소재 신년 현상 한시 연구 -칙제(勅題)를 중심으로-
열상고전연구
2017 .01
-
고보리 엔슈(小堀遠州) 편지에 나타난 와카 분석
일본연구
2021 .08
-
와카세계를 통해 본 일본 헤이안시대 연애풍류 －헤이안시대 중기작품을 중심으로－
동아시아고대학
2019 .01
-
와카 번역사적 위치 - 『선역애국백인일수』 -
동아시아고대학
2015 .01
-
「防人歌(사□모리노우다)」연구 : 비교의 관점에서 바라본 와카 번역사적 위치
일본문화학보
2015 .11
-
미나모토노 시타고(源順) 언어유희의 작품세
동아시아고대학
2017 .01
-
고려 元宗·忠烈王대의 親朝외교
한국사연구
2017 .06
-
쇼군 무네타카 친왕(宗尊親王)의 인생역정과 와카 작의의 상관관계 고찰 - 『쥬쇼오교에이(中書王御詠)』의 의의와 영향을 중심으로 -
일본어문학
2021 .11
-
李白 ＜贈＞詩 譯解 및 考察(8) — 제32수에서 제34수까지
중국어문논총
2020 .01
-
李白＜贈＞詩 譯解 및 考察(7) — 제30수에서 제31수까지
중국어문논총
2019 .01
-
『文集百首』에 나타난 데이카의 와카 연구 ―한시 수용을 중심으로―
日本學硏究
2020 .01
-
노 이론서의 와카십체 수용양태 연구 : 젠치쿠(禅竹)의 『고온산쿄쿠슈(五音三曲集)』를 중심으로
일본문화연구
2017 .10
-
근대 천황상 확립과 ‘황도주의(皇道主義)’ 교육에관한 고찰
日本學硏究
2015 .01
-
박종홍과 황장엽 그리고 다나베 하지메, 민족/국가로 녹아든 개인: 한반도 근대국가의 주체상
사회와 철학
2021 .04
-
신동문의 시 전집에 누락된 시편 연구
한국시학연구
2020 .02
-
王維 連作詩 章法 分析
중국어문학논집
2023 .12
-
와카와 하이쿠에 나타난 ‘여치’와 ‘귀뚜라미’ - 명칭의 혼동과 시상(詩想)의 혼란 -
일본연구
2022 .06
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2019-309-000985281