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Gulsara from Inside the Women's Quarters : Discourses and Symbolism of the Hujum and Women's Liberation Movement in the 1920s-1930s Uzbek Literature
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『안채』에서 나온 『굴사라』 : 소비에트-우즈벡 정체성과 후줌운동의 상징성, 1920년대-1930년대 문학을 중심으로

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Type
Academic journal
Author
Shin, Boram (한양대학교)
Journal
Institute of Foreign Literature Foreign Literature Studies Vol.63 KCI Accredited Journals
Published
2016.8
Pages
73 - 98 (26page)

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Gulsara from Inside the Women's Quarters : Discourses and Symbolism of the Hujum and Women's Liberation Movement in the 1920s-1930s Uzbek Literature
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During the 1937 Uzbek dekada or ten-day festival of national culture, celebrated in Moscow, the story of Gulsara, an Uzbek woman who unveiled herself and thus transformed into a new Soviet woman, was brought to the prestigious Bolshoi Theatre stage. The opera Gulsara (1935), originally written as a play titled Ichkarida (Inside the Women’s Quarters, 1932), was set around the 1927 hujum (‘attack’ in Uzbek) or the public burning of veils transitionally worn by Muslim women of Central Asian sedentary population. Despite the fact that the hujum, in reality caused much outrage and violence among local traditionalists against unveiled women, the opera portrayed unveiling as a heroic liberation that marked the ultimate victory of the new socialist order over old religious values. Such triumphalism, however, was lacking in the original play, Ichkarida, in which Gulsara fell victim to a familicide. This paper traces the socio-political and cultural context which led to this revision. In so doing, it uncovers the literary devices and modernist rhetorics that the Soviet Uzbek writers appropriated from their predecessors, the Jadids or Muslim modernist intellectuals, who first engaged with the question of women’s liberation from the 1910s to the 1920s.
#우즈베키스탄 근대문학(1920년대-1930년대) #후줌 hujum #자디디즘 Jadidism #소비에트 중앙아시아 #Uzbek literature (1910s-1930s) #Hujum #women's question

Contents

[국문초록]
Ⅰ. 들어가는 말
Ⅱ. 초기 우즈벡 문화 속의 모던과 여성해방: 1918년-1927년을 중심으로
Ⅲ. 1927년 후줌과 우즈벡 문학: 함자 하킴조다의 『부자와 하인 Boy ila Xizmatchi』에서 코밀 야신의 『안채 Ichkarida』까지
Ⅳ. 안채에서 나온 굴사라: 1935년 오페라 『굴사라 Gulsara』를 중심으로
Ⅴ. 나가는 말
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