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논문 기본 정보

자료유형
학술저널
저자정보
김지연 (가톨릭대학교)
저널정보
동북아시아문화학회 동북아 문화연구 동북아 문화연구 제43집
발행연도
2015.6
수록면
101 - 116 (16page)

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초록· 키워드

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Kim Chunsu brought out 『Deulim, Dostoevsky』 based on experience that he was deeply moved by Dostoevsky and he received Dostoevsky’s revelation in the downhill of life. Dostoevsky was the conversation topic for him; Dostoevsky symbolizes tragedy of human existence. Through writing about Dostoevsky’s persona and undergoing the poetic experience in St. Petersburg, Kim Chunsu showed the process of exploring his poetic career and trauma. He tested self-reflexivity to gain a deeper insight into life and death over intertextuality with Dostoevsky.
He was inspired from Dostoevsky; that is possession a sort of poetic inspiration or holy madness. In this collection of poems, He made a frank confession of the evil that calls into question, creating complicated conflict without the knowledge of himself. He lived with chronic trauma from violence of history and ideology. He used devil of Dostoevsky as a projection of his trauma. And he contrasted with self-reflexivity. Also, he examined the ultimate matters, death and salvation; the old poet had to attempt to solve the problem of death. He dramatized the death and the resurrection of Jesus motifs accurate statement of how human existence is tragic and nihilistic.
Inside of the poet Kim Chunsu who had been possessed by Dostoevsky was confused, lonely, and painful. However he made us to feel reality by capturing tragedy of human existence. His process of creation in which transform his trauma into universal experience through integration and deconstruction with Dostoevsky will provide inspiration for us.

목차

1. 서론
2. 도스토예프스키에 ‘신들림’-천사를 향한 ‘악’의 고백
3. 역사 또는 악령과의 고투-트라우마의 자기반영적 콘트라스트
4. 죽음과 구원에 대한 심문-인간 존재의 비극성과 허무의 심연
5. 결론
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UCI(KEPA) : I410-ECN-0101-2016-910-001770547