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This paper provides information on newly discovered literary work called MiGang-ByeolGok. This work was hitherto unknown to the academia. Handwritten MiGang-Byeolgok was found along with HwangSan-ByeolGok in a book that recorded various types of miscellaneous information.
In this paper, it is argued that Yun Heui-Bae(윤희배) is the author of MiGang-ByeolGok. In October 1883, Yun wrote a long petition requesting reverence of MiSu Heo-Mok(허목) in Confucian shrines. Yun is probably the author because the content of HwangSan-ByeolGok, which is contained in the same handwritten book, is identical with or similar to the content of the petition.
This song is composed of three parts: introduction. body Ⅰ, body Ⅱ, and conclusion. Therefore, the song follows the traditional format of songs in Chinese characters: GiSeungJeonGyeol (introduction, development, turn and conclusion). The song commemorates and praises Heo-Mok. The writer of the song reveres and describes the stature, sprit, learning, philosophy, and attitudes toward life.
Finally, this paper argues that MiGang-ByeolGok is based on the perspective that Confucian tradition that began with Yi-Hwang(이황) was bequeathed by Jeong-Gu(정구) and Heo-Mok(허목). In the history of Korean literature, this song, which treats the eight famous places of MiGang near shrines, belongs to the genre of "beautiful sceneries.
In this paper, it is argued that Yun Heui-Bae(윤희배) is the author of MiGang-ByeolGok. In October 1883, Yun wrote a long petition requesting reverence of MiSu Heo-Mok(허목) in Confucian shrines. Yun is probably the author because the content of HwangSan-ByeolGok, which is contained in the same handwritten book, is identical with or similar to the content of the petition.
This song is composed of three parts: introduction. body Ⅰ, body Ⅱ, and conclusion. Therefore, the song follows the traditional format of songs in Chinese characters: GiSeungJeonGyeol (introduction, development, turn and conclusion). The song commemorates and praises Heo-Mok. The writer of the song reveres and describes the stature, sprit, learning, philosophy, and attitudes toward life.
Finally, this paper argues that MiGang-ByeolGok is based on the perspective that Confucian tradition that began with Yi-Hwang(이황) was bequeathed by Jeong-Gu(정구) and Heo-Mok(허목). In the history of Korean literature, this song, which treats the eight famous places of MiGang near shrines, belongs to the genre of "beautiful sceneries.
목차
1. 머리말
2. 〈미강별곡〉의 작품 서지와 작자 문제
3. 〈미강별곡〉의 문예적 검토
4. 맺음말
참고문헌
영어 초록
참고문헌 (31)
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