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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2018.9
- 수록면
- 61 - 74 (14page)
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초록· 키워드
오류제보하기
As a result of examining the immaterial expression characteristics of Ryue Nishizawa’s work, the following conclusions were reached within the scope of this study.
1. In Nishizawa"s work, immaterial expressions appeared in terms of material aspect, morphological aspect, and spatial aspect. In terms of material, the transparency of glass and the metaphor by white color appeared, and in the morphological aspect, the dynamic form of beyond-gravity of the scalpel appeared. Finally, in terms of space, beyond-boundary characteristics appeared in the interior space, between the interior space and the outer space, and between the outer space and the outer space around the earth. 2. The characteristics of the material aspect and the characteristics of the morphological aspect eventually play a role of the composition and background elements that form the characteristics of the spatial aspect. 3. Such immaterial expressions can be divided into three types according to the expression type. First, in the case of the same type as the one-room type, expressions that acquire beyond-bounding in the internal space due to the transparency of the glass wall appear in the material aspect. Secondly, the separated scalpel and the connection space are separated into several pieces, and the de-bounding between the inner and outer spaces appears due to the transparency of the glass wall in the other mouths that exist in the large outer wall. The third is in the form of a single individual inserted into the atmosphere of the surrounding environment, where beyond-gravity is mainly seen in the morphological aspect. Consequently, the glass wall-a functional boundary inside-disappears and the curved ceiling or floor surface based on the terrain is formed, and the beyond-borderline is found between interior spaces, between interor and exterior spaces and between exterior spaces(in the site, out of the site). 4. Immaterial expression characteristics tend to change from indirect method by material side of the component to direct method of morphological aspect of the building scalpel. 5. He has been working on landscape expression to provide the possibility of a relationship that can be held in free and diverse spaces through the above immaterial expression method and to create an architectural space in harmony with the terrain and surrounding environment.
1. In Nishizawa"s work, immaterial expressions appeared in terms of material aspect, morphological aspect, and spatial aspect. In terms of material, the transparency of glass and the metaphor by white color appeared, and in the morphological aspect, the dynamic form of beyond-gravity of the scalpel appeared. Finally, in terms of space, beyond-boundary characteristics appeared in the interior space, between the interior space and the outer space, and between the outer space and the outer space around the earth. 2. The characteristics of the material aspect and the characteristics of the morphological aspect eventually play a role of the composition and background elements that form the characteristics of the spatial aspect. 3. Such immaterial expressions can be divided into three types according to the expression type. First, in the case of the same type as the one-room type, expressions that acquire beyond-bounding in the internal space due to the transparency of the glass wall appear in the material aspect. Secondly, the separated scalpel and the connection space are separated into several pieces, and the de-bounding between the inner and outer spaces appears due to the transparency of the glass wall in the other mouths that exist in the large outer wall. The third is in the form of a single individual inserted into the atmosphere of the surrounding environment, where beyond-gravity is mainly seen in the morphological aspect. Consequently, the glass wall-a functional boundary inside-disappears and the curved ceiling or floor surface based on the terrain is formed, and the beyond-borderline is found between interior spaces, between interor and exterior spaces and between exterior spaces(in the site, out of the site). 4. Immaterial expression characteristics tend to change from indirect method by material side of the component to direct method of morphological aspect of the building scalpel. 5. He has been working on landscape expression to provide the possibility of a relationship that can be held in free and diverse spaces through the above immaterial expression method and to create an architectural space in harmony with the terrain and surrounding environment.
목차
Abstract
Ⅰ. 서론
Ⅱ. 건축철학 및 표현경향
Ⅲ. 사례조사 및 비물질적 표현
Ⅳ. 분석
Ⅴ. 결론
참고문헌
참고문헌 (7)
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