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논문 기본 정보

자료유형
학술저널
저자정보
김동영 (대구가톨릭대학교)
저널정보
한국주거환경학회 주거환경 住居環境 통권 제18권 제3호 (통권 제49호)
발행연도
2020.9
수록면
179 - 194 (16page)

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초록· 키워드

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As a result of examining the immaterial expression characteristics of Tadao Ando’s work, the following conclusions were reached within the scope of this study.
The immaterial peculiarities in his work’s are the methods which make his architectural theory: regeneration of the site’s landscape or scenery. He planned the architectures make a connection with the regeneration of around the site’s landscape or scenery to use the most of popular materials-concrete and forms-triangle, square and circle, that is modern architect’s heritage. Such immaterial peculiarities make the beyond-spatial boundary lead to reflect original personal ego and to recover personal ego who are exhausted material civilization. The site’s landscape or scenery where had the nature/artificial environment is planed to make the beyond-spatial boundary with transparent window or make the passage directly. He made the space to provide a atmosphere of the site’s landscape or scenery directly as much as possible. Otherwise, he made plans using indirect methods. On the aspect of the materials, the transparency, metaphor and the aspects of space are to make the beyond-spatial boundary or to make better such plan at all. And the immaterial peculiarities of the beyond-spatial boundary are represented at passages or livingroom than private space. In the kind of architecture, large-scale exhibition architectures were represented by various plan than the house, the religious architecture, commercial architecture of small site. The underground architecture like a Chichu Art Museum represented the beyond-spatial boundary in the ground passage with the vertical sky directly and in the underground space with splitted window indirectly. And Yu-Min Art Museum represented the beyond-site(place) with media only.

목차

Abstract
Ⅰ. 서론
Ⅱ. 건축철학 및 표현경향
Ⅲ. 사례조사 및 비물질적 표현
Ⅳ. 분석
Ⅴ. 결론
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