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A Study on the Meaning of Nature in the Lee Young-ak's Poems
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이용악 시에 나타난 자연의 의미 연구 : 『분수령』, 『낡은집』을 중심으로

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Type
Academic journal
Author
Kim, Hee-won (단국대학교) Kim, Ok-sung (단국대학교)
Journal
Association for the Study of Literature & Environment Literature and Environment Vol.17 No.2 KCI Accredited Journals
Published
2018.6
Pages
79 - 114 (36page)

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A Study on the Meaning of Nature in the Lee Young-ak's Poems
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The period when Korea was the most vigorous in terms of modern history can be said to be during the Japanese colonial period. Particularly in the 1920s, it was possible to shape the will of struggle in the form of literary works. In the 1930s, however, it was internalized in the works due to the oppression existing during that time. Therefore, it is a way to broaden the horizons of our literature by studying Lee Young-ak’s poems, the representative of the realism poet of the period of the 1930s.
In the 1930s, the works of Lee Young-ak’s poems were showcased by many works that feature centrally the theme of nature. The nature which acts as the material of his poetry was, primarily, a mediator that acted effectively in accusing the true state of reality. Secondly, it was a material way to express the despair of the negative reality. Third, it also implied that there existed world of hope.
The natural object that indicates the reality functions as a mediator that simultaneously implies both romanticism and non-tragedy, so that the tragic state of reality can be expressed more emphatically. The romanticism of beautiful and peaceful natural objects, including examples such as ‘insects’, ‘flowers’, and ‘leaves’, are more prominent in Lee Young-ak’s Poems.
The image of the river and the sea implicates a negative emotion, a sense of hope, as well as an ideal. The sense of anxiety projected on the ‘river’ leads to mourning and reproach. However, Lee Young-ak does not fix the image of the ‘river’ with these images, but instead draws the image of hope and utopia from the property by which the ‘river’ flows into the ‘sea’.
Finally, in the Lee Young-ak’s Poems, we are presented with the opportunity to find a way to overcome the reality of the present via the providence of nature. Of most note, it reveals the image of the ‘insect’, which pledges spring to sleep, and the will to overcome the hardships of reality through the circulation of natural providence.
This study is meaningful in that it examines the poetic world of the ushak from a stereoscopic perspective by deviating from the study biased toward the loss of hometown, which serves as a kind of paradigm of Lee Young-ak’s poetry of the era.
#이용악 #자연 #현실 고발 #낭만성 #비극성 #강 #바다 #곤충 #Lee Young-ak #nature #realistic accusation #romanticism #non-polarity #river #sea #insect

Contents

1. 서론
2. 현실의 참상 고발과 비극적 정서를 함축하는 자연물
3. 강·바다 이미지와 이중적 정서의 형상화
4. 극복 의지의 발현과 자연의 섭리
5. 결론
인용문헌
국문초록
Abstract

References (43)

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[단행본] - 이용악 / 2015 / 이용악 전집 / 소명출판 google schola [학술지(정기간행물)] - 강연호 / 2004 / 이용악 시의 공간 연구 / 현대문학이론연구 (23) : 79 ~ 105 dbpia [학위논문] - 곽효환 / 2007 / 한국 근대시의 북방의식 연구 : 김동환, 백석, 이용악을 중심으로 / 박사 / 고려대학교 대학원 google schola [학술지(정기간행물)] - 금동철 / 2012 / 박두진 초기시에 나타난 자연 이미지의 이중성과 그 의미 / 한민족어문학(구 영남어문학) (61) : 89 ~ 117 google schola [학술지(정기간행물)] - 김경훈 / 2009 / 디아스포라의 삶의 공간과 정서 - 백석, 이용악, 윤동주의 경우 / 비교한국학 Comparative Korean Studies 17 (3) : 9 ~ 39 dbpia

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