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자료유형
전문잡지
저자정보
전창희 (협성대학교)
저널정보
한신대학교 한신신학연구소 신학연구 神學硏究 第67輯
발행연도
2015.12
수록면
355 - 382 (28page)

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Rudolf Schwarz (who died in 1961) was an important German architect, town planner and architectural theoretician who decisively influenced his fields in the twentieth century. Especially, he, as a church architect, was one of the leaders in architectural modernism in the 1920s which substituted the last remains of the neo-Gothic, neo-Classic and other revivals of the nineteenth century with their corresponding decoration. He was a Roman Catholic all his life who was concerned about theology and liturgy in his architectural theories and designs which were controversial during his life time.
The historical conditions in the early years of the twentieth century were good for architectural modernism’s immergence in Schwarz’ works. The first good condition was the destruction of church buildings due to World War I. World War I devastated Europe. The second condition was the use of modern materials and construction methods. The third condition was the movement for liturgical renewal of which Schwarz was very familiar.
Unfortunately, for a long time, Schwarz has been forgotten. Kieckhefer noticed that, “Liturgical reforms of the 1960s generated a sense of novelty that made it harder to sustain interest in an earlier generation of reformers. Schwarz’s churches attracted less attention than they had previously, and his writings were cited relatively little. But in recent decades there has been a revival of interest, with exhibitions of his architectural output and serious commentary on his writings.” Today, his conception of liturgical space be is still exerting an and influence, leading us in to a sacred place in which we have share the Lord’s grace.

목차

Ⅰ. 들어가는 말
Ⅱ. 루돌프 슈바르츠의 생애와 건축학적 상황
Ⅲ. 루돌프 슈바르츠의 교회 디자인을 위한 건축학적 이론 : 7가지 디자인
Ⅳ. 나가는 말
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