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자료유형
학술저널
저자정보
저널정보
한국기독교학회 한국기독교신학논총 한국기독교신학논총 제32집
발행연도
2004.1
수록면
253 - 274 (22page)

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This paper consists of two parts. The first part is a brief explanation of Victor Turner`s ritual theory. The second part is its application to Korea, i.e., to the liturgical movement of "Koreanizing of worship that has been developing since late the 1980`s. In the latter part of this paper the relation between the renewal of worship practice and the social context has been investigated. Turner`s concept of social drama has been devised to describe and to analyze the context of ritual. According to Turner, context of ritual is characterized as a dynamic process, rather than a static condition. An example of a dynamic process is a social conflict. Social drama is a unit of the episode exposing social conflicts. A ritual has been defined as a redress in social drama, which consists of four phases: breach, crisis, redress and reintegration or separation. The concept of social drama is a useful device to explain the relation between ritual and a social context. Since late the 1980`s in Korea there has been a liturgical movement called "Koreanizing of worship." This movement has had a socio-cultural background which tried to restore Korean cultural identity. The liturgical movement in Korea is regarded as a redressive action in a social drama happening because of a conflict around the cultural identity in Korean society. According to Turner, a redressive action has two distinctive features: self-reflectivity and liminal quality. The Korean church and theology have practiced self-reflection on depreciation of the traditional Korean culture in the Korean church history. The form of renewed worship accepting Korean traditional cultural elements appeared to neither be totally koreanized, nor be handed down from the missionaries. This feature, "betwixt and between," is to be regarded as a liminal quality of redress. The liminal, according to its own quality, cites a possibility of becoming. Worship as a ritual function is a sphere of possibility. The possibility indicates and alternative. The Korean worship renewal shows an altemative cultural topos for the Korean society. From this point of view, the renewal of worship practice has a closecorrelation with the social context.

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