지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Yi Sang(1910-1937) is often considered as the first modernist poet in Korean literature in the early twentieth century. He wrote many intellectual and experimental poems with an effect of shock or surprise. The aim of this essay is two-fold: the first aim is to relate Yi Sang's poems to the Metaphysical poets in the 17th-century England. Arguably this essay is the first attempt to discuss Yi Sang's strategy of experimental technique in terms of Metaphysical conceit, which is "a combination of dissimilar images, or discovery of occult resemblances in things apparently unlike" in Samuel Johnson's famous definition. The gist of a strange reversible reaction is closely related to paradox in poetry and religion.
Metaphysical poetry in the early 17th-century English literature is applied to a group of poets whose work is striking imagery. The representative poets of the school were John Donne, George Herbert, and Abraham Cowley. In the early 20th-century this poetic school was revived by T. S. Eliot. According to Eliot, the Metaphysical poets could fuse thought and feeling successfully in their poems. Eliot himself applied the Metaphysical impulse to his early experimental poems.
Another crucial sources of Metaphysical poetry derived from Christianity. The Metaphysical imagination is usually interrelated toChristianity in terms of paradox. The second aim of this essay thus is to discuss Christian allusion in Yi Sang's poetry. Yi Sang seemed to allude the Bible by relying upon the readers' familiarity with the Bible in the 1930's Korea. He put on emphasis on the paradox in Christian imagery of sacrifice, death and secularization(modernization).
We can never argue that Yi Sang is a Christian poet, but he often used Christian images to our surprise. He wanted to use paradoxically universal Christian themes in order to express the impasse: his personal despair of disease and poverty and national plight of colonized Korea. In this context, Yi Sang could be regarded as a universal poet with a keen taste of satire and critique on the morbidity of modernism and modernity in the early 20th-century Korea. In the age of cosmopolitanism, we could even reread Yi Sang's experimental poems in terms of postmodernism and postmodernity.
Metaphysical poetry in the early 17th-century English literature is applied to a group of poets whose work is striking imagery. The representative poets of the school were John Donne, George Herbert, and Abraham Cowley. In the early 20th-century this poetic school was revived by T. S. Eliot. According to Eliot, the Metaphysical poets could fuse thought and feeling successfully in their poems. Eliot himself applied the Metaphysical impulse to his early experimental poems.
Another crucial sources of Metaphysical poetry derived from Christianity. The Metaphysical imagination is usually interrelated toChristianity in terms of paradox. The second aim of this essay thus is to discuss Christian allusion in Yi Sang's poetry. Yi Sang seemed to allude the Bible by relying upon the readers' familiarity with the Bible in the 1930's Korea. He put on emphasis on the paradox in Christian imagery of sacrifice, death and secularization(modernization).
We can never argue that Yi Sang is a Christian poet, but he often used Christian images to our surprise. He wanted to use paradoxically universal Christian themes in order to express the impasse: his personal despair of disease and poverty and national plight of colonized Korea. In this context, Yi Sang could be regarded as a universal poet with a keen taste of satire and critique on the morbidity of modernism and modernity in the early 20th-century Korea. In the age of cosmopolitanism, we could even reread Yi Sang's experimental poems in terms of postmodernism and postmodernity.
목차
1. 머리말
2. 이상한 가역반응과 형이상학적 상상력
3. 순교자로서의 이상과 기독교 이미지
참고문헌
〈Abstract〉
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
Yi Sang and His Works
Korea Journal
1970 .06
-
이상 시의 서정성 고찰
비평문학
2010 .12
-
Three Poems by Yi Sang-ro
Korea Journal
1968 .02
-
이상(李箱) 문학의 근대성 : ‘의학-육체-개인’
한국시학연구
2008 .12
-
‘이상’의 이데올로기적 기원 : 김기림과 최재서의 이상론
한국현대문학연구
2010 .12
-
불완전한 주체와 진리의 윤리 : 이상의 시
비평문학
2012 .12
-
이상 시의 상호텍스트성 연구 : 「오감도 시제1호」의 시적 계보를 중심으로
한국시학연구
2009 .12
-
The Literature of Exile : Yi Sang As A Short Story Writer
Korea Journal
1968 .09
-
이상정(李象靖)의 『퇴계서절요(退溪書節要)』 편집 방법과 목적
퇴계학논집
2019 .01
-
이상 시의 추상 회화 기법에 대한 연구
국어국문학
2009 .05
-
李箱의 ‘새’ 모티프에 대한 일고찰 : 李箱의 〈紙碑 - 어디갓는지모르는안해〉와 橫光利一의 〈犯罪〉의 비교를 중심으로
한국현대문학연구
2010 .12
-
구상(具常) 시의 전개와 문학사적 의의
한국시학연구
2009 .12
-
李箱의 「烏瞰圖」 해석의 재고
비평문학
2009 .09
-
『十二月 十二日』 : 이상과 졸라와의 제휴
비평문학
2010 .09
-
이상 문학 연구와 한국문학의 현대성
국제언어문학
2009 .04
-
이준의 구국운동과 교육사상
기독교교육정보
2007 .12
-
Translating the desire for escape from the past: An analysis of two English translations of Yi Sang’s “Ogamdo”
통역과 번역
2014 .01
-
만남에의 몰두와 충돌의 형식 -이상 시에 나타난 ‘안해’ 표상 방식 연구
구보학보
2019 .01
-
Seoul, Tokyo, New York : Modern Korean Literature Seen through Yi Sang’s “Lost Flowers”
Korea Journal
1999 .12
-
서구 모더니즘 관점에서 본 「쥬피타의 追放-이상의 영전에 바침」
영어영문학
2016 .05
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2012-809-004309668