지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This paper aims to investigate Lee, Sang‘s images of French woman in dream world by reinterpreting his Japanese poem of (in the year) 1931. While Lee, Sang expressed his desire and hope to “rush out once dead or live from home” in his novel 〈December 12〉 to see wider world, in the poem 〈Abnormal Reversible Reaction〉, he displayed his longing to study modern architecture, which was unknown field to him, in France beyond Japan to achieve a future goal during Japanese colonial period.
He strongly described the situation already built up around him as ’Circle’. The more obstacles(circles) are blocking, relatively the stronger an effort(straight line) to escape is. He moaned that he wanted to go abroad and craved for help of someone in desperate need. Text “abnormal” shows that as Lee, Sang set to go abroad, he was suppressed by strong power.
So, Lee, Sang(李箱)’s Poem 〈Abnormal Reversible Reaction〉 looks like expressing agony between ‘willingness to escape abroad’ and ‘suppressing environment to himself’. The expression, “Does the straight-line kill the Circle?”, suggests his destiny. In Lee, Sang(李箱)’s serial poem 〈Abnormal Reversible Reaction〉, we could learn his heart inclining to Madame Charlotte Perriand, a French architect, who he loved.
All the texts, ‘LA FEMME DE MONSIEUR LICHAN’ in the novel 〈darkroom in the map/map in the darkroom〉(「地圖의 暗室」) or ‘woman(▽) who stares at me’, ‘I/W’, “sleeper of ▽/slipper of ▽” and others in the poem 〈Abnormal Reversible Reaction〉 represent a symbolic image of the french woman.
According to an analysis of six poems in 〈Abnormal Reversible Reaction〉 (異常한 可逆反應) written in Japanese, Lee, Sang(李箱)’s other poems written in Japanese such as eight poems in the name of 〈Bird’s Eye View〉(鳥瞰圖) published in 『Chosun and Architecture』(朝鮮と建築), seven poems titled 〈Drawings of Third Angle〉(三次角設計圖), and seven poems titled 〈Architectural Infinite Hexahedron〉(建築無限六面角體) as well would leave a room for another interpretation than ever had.
He strongly described the situation already built up around him as ’Circle’. The more obstacles(circles) are blocking, relatively the stronger an effort(straight line) to escape is. He moaned that he wanted to go abroad and craved for help of someone in desperate need. Text “abnormal” shows that as Lee, Sang set to go abroad, he was suppressed by strong power.
So, Lee, Sang(李箱)’s Poem 〈Abnormal Reversible Reaction〉 looks like expressing agony between ‘willingness to escape abroad’ and ‘suppressing environment to himself’. The expression, “Does the straight-line kill the Circle?”, suggests his destiny. In Lee, Sang(李箱)’s serial poem 〈Abnormal Reversible Reaction〉, we could learn his heart inclining to Madame Charlotte Perriand, a French architect, who he loved.
All the texts, ‘LA FEMME DE MONSIEUR LICHAN’ in the novel 〈darkroom in the map/map in the darkroom〉(「地圖의 暗室」) or ‘woman(▽) who stares at me’, ‘I/W’, “sleeper of ▽/slipper of ▽” and others in the poem 〈Abnormal Reversible Reaction〉 represent a symbolic image of the french woman.
According to an analysis of six poems in 〈Abnormal Reversible Reaction〉 (異常한 可逆反應) written in Japanese, Lee, Sang(李箱)’s other poems written in Japanese such as eight poems in the name of 〈Bird’s Eye View〉(鳥瞰圖) published in 『Chosun and Architecture』(朝鮮と建築), seven poems titled 〈Drawings of Third Angle〉(三次角設計圖), and seven poems titled 〈Architectural Infinite Hexahedron〉(建築無限六面角體) as well would leave a room for another interpretation than ever had.
목차
1. 서론
2. 시(詩)〈이상한 가역반응〉에 대한 기존 평가들
3. 시(詩) 〈이상한 가역반응〉의 텍스트
4. 시(詩) 〈이상한 가역반응〉 연작시의 텍스트
5. 결론
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