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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The literary world where the apparition appears in the modern period when the transparent and absolute recognition were searched toward entity implies concern in the silence and vacuum beyond the words composed by the logic of reason and consciousness. The existence of feminine specter of Park, Younghee's early poems emerged from the interest of chaos in self-inside, non-crystallization, and other-directedness is a symbol called upon by the willingness that open art toward the ultra-rational origin placed free out of the sexual judgement or the obstacle of reality. Which is a symbolical core of all mysteries that surpassed the categories of fact, nature, and realness, all considered as the rational knowledge, especially the basic category of confrontation and hierarchism that illuminism has been served as the theoretical ground. The basics of co-relationship in which aesthetic consciousness of male and female phantom knot together shows the feminine image not by the objet that a poet governs, as silmulated another person, but by imaginary subjectivity that governs the poet.
Nevertheless, what is revealed in literature where the female ghost enters generally is the most worldly dream of masculine. The imaginative experiences such as the poet's reverie, pleasure, and debauchery linked with the appearance betrays the logic of male dream freed from repression of reality and the inner nature of existence veiled behind social mask. Because of this, the abstract statements such as female voice and breast, etc. which lead a speaker can not gp beyond the fantastic sentiment of color, noise, and temperature, etc. Which amounts to allude the level of beautifully chaotic harmony of feeling and passion, not a rational clarity, happening to result in breaking away in the strife against what is real, ending up with momentary ecstasy and wriggling toward dream. Occasionally, the origin of feminine attrition decorated with erotic rhetoric can be read out by the speaker's psychological trend, itself, attracted and seduced by the nature's nasty scenery. It hints that the female ghost makes its appearance as an extensive symbol toward nature, mystery, and others, etc. that the male counterpart is not able to govern and interpret wholly, Which is a significant characteristic that pursued collectively in the poetry of romanticism in 1920s and can be said as the main trend of the initial poems of Park Younghee.
A special transposition of time is necessary in the advent of feminine goblin. The female attrition that mystifies male who goes to war in order to construct social order restores something medieval or the mystic sensibility that modern logic lacks, thru the excessive rhetoric that is regards as a regression on the level of writing, that is, an aberration from the actual. Which is deeply related with the mystic and decadent atmosphere felt in her poems. Especially, similar to the literature of Baudelaire and Wilde, the reached "the ruins of sentimentality" that follows the image of a harlot woman other than a realistic woman sheds a thick decadent color of the West, however, what lies across as its archetype is the grotesque literary legacy of Korea where the female attrition makes its advent. What takes interest is that the supernatural visitors of female appear in the poetry of Park, Younghee remain far from the characteristic(!) differing from that of the enlightening literature that advocates democratic autonomousness of feminine subjecthood. The poetry of Park Younghee, different from the literary cognizance of the times that dreamt the feminine subjectiveness in the equal relation chosenfreely, comes to dissolve the literary motive showing in Korean legendary and ghost stories and creates symbols, that is, female attrition. Which is a peculiar quality that is generated at the crossroad where the decadent literature of the West and the traditional grotesqueness of that of Korean literature, which can be a stronghold where the aesthetic territory modern romanticism of Korea is able to be illuminated anew.
Nevertheless, what is revealed in literature where the female ghost enters generally is the most worldly dream of masculine. The imaginative experiences such as the poet's reverie, pleasure, and debauchery linked with the appearance betrays the logic of male dream freed from repression of reality and the inner nature of existence veiled behind social mask. Because of this, the abstract statements such as female voice and breast, etc. which lead a speaker can not gp beyond the fantastic sentiment of color, noise, and temperature, etc. Which amounts to allude the level of beautifully chaotic harmony of feeling and passion, not a rational clarity, happening to result in breaking away in the strife against what is real, ending up with momentary ecstasy and wriggling toward dream. Occasionally, the origin of feminine attrition decorated with erotic rhetoric can be read out by the speaker's psychological trend, itself, attracted and seduced by the nature's nasty scenery. It hints that the female ghost makes its appearance as an extensive symbol toward nature, mystery, and others, etc. that the male counterpart is not able to govern and interpret wholly, Which is a significant characteristic that pursued collectively in the poetry of romanticism in 1920s and can be said as the main trend of the initial poems of Park Younghee.
A special transposition of time is necessary in the advent of feminine goblin. The female attrition that mystifies male who goes to war in order to construct social order restores something medieval or the mystic sensibility that modern logic lacks, thru the excessive rhetoric that is regards as a regression on the level of writing, that is, an aberration from the actual. Which is deeply related with the mystic and decadent atmosphere felt in her poems. Especially, similar to the literature of Baudelaire and Wilde, the reached "the ruins of sentimentality" that follows the image of a harlot woman other than a realistic woman sheds a thick decadent color of the West, however, what lies across as its archetype is the grotesque literary legacy of Korea where the female attrition makes its advent. What takes interest is that the supernatural visitors of female appear in the poetry of Park, Younghee remain far from the characteristic(!) differing from that of the enlightening literature that advocates democratic autonomousness of feminine subjecthood. The poetry of Park Younghee, different from the literary cognizance of the times that dreamt the feminine subjectiveness in the equal relation chosenfreely, comes to dissolve the literary motive showing in Korean legendary and ghost stories and creates symbols, that is, female attrition. Which is a peculiar quality that is generated at the crossroad where the decadent literature of the West and the traditional grotesqueness of that of Korean literature, which can be a stronghold where the aesthetic territory modern romanticism of Korea is able to be illuminated anew.
목차
1. 서론
2. 여성 유령 이미지 출현의 맥락
3. 감정과 자연의 인격화된 상징로서의 여성유령
4. 결론
〈인용문헌〉
〈Abstract〉
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