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This article aimed to study a historical identity of Sung-Nam Region through cultural heritage which is well -known.
Historically, Sung-Nam Region is not well-known. Commonly that was recognized a by-product by dramatic expansion of city.
But through a phase of historic-cultural resources, that become clear that was misunderstanding by lack of an effort to clarify and reveal the identity of Sung-Nam Region.
In Sung-Nam Region, there were numerous historic -cultural heritages from paleolithic age to pre-modern age and recently more and more important cultural heritages are being excavated by affect of development of city.
To understand a side of historic-cultural identity of Sung-Nam Region, Iclassify historic-cultural resources of Sung-Nam Region by theme to reveal the identity of region and it is as follows.
First is culture of the house. a phase of change of a site, such as a site of the bronze age in Sampyung-dong and Sasong-dong, Sung-Nam Region → a site of a period of the three kingdoms in Sampyung-dong → a site of Choson in Sampyung-dong → Gwi-eun-dang(The name of Namgongchul's arcademic house)show the historic-cultural connection among themselves.
Second is culture of the death. a phase of funeral ceremony and the culture of the grave, such as a group of dolmens in Sasong-Dong → a group of graves in Pangyo -Dong → the tomb of YuGyemoon → the tomb of LeeGon, show thought of the death and the culture of residents in Sung-Nam Region.
Third is religious faith and philosophy. Through remained material culture, we can substantially look into a cultural phase that is extremely ideal such as religious faith and Confucian philosophy idea that is handed down from a site of a structure in an ancient Korean state in Pangyo-Dong → the site in Pangyo-Dong at which was found a golden pagoda → BonKook-temple → the tomb of KangChungIlDang → the tomb of Leegyp
Last is traffic and telecommunication. Through Chulimsan -beacon → Naksang station, we can think about historic -cultural meaning as a street corner to enter the capital of Sung-Nam Region.
As mentioned above, by categorization of culture heritage historical-cultural identity can be distinct, not dim and vague in the historical origin and it bring out clear color that depends on how we process them from view points.
Historically, Sung-Nam Region is not well-known. Commonly that was recognized a by-product by dramatic expansion of city.
But through a phase of historic-cultural resources, that become clear that was misunderstanding by lack of an effort to clarify and reveal the identity of Sung-Nam Region.
In Sung-Nam Region, there were numerous historic -cultural heritages from paleolithic age to pre-modern age and recently more and more important cultural heritages are being excavated by affect of development of city.
To understand a side of historic-cultural identity of Sung-Nam Region, Iclassify historic-cultural resources of Sung-Nam Region by theme to reveal the identity of region and it is as follows.
First is culture of the house. a phase of change of a site, such as a site of the bronze age in Sampyung-dong and Sasong-dong, Sung-Nam Region → a site of a period of the three kingdoms in Sampyung-dong → a site of Choson in Sampyung-dong → Gwi-eun-dang(The name of Namgongchul's arcademic house)show the historic-cultural connection among themselves.
Second is culture of the death. a phase of funeral ceremony and the culture of the grave, such as a group of dolmens in Sasong-Dong → a group of graves in Pangyo -Dong → the tomb of YuGyemoon → the tomb of LeeGon, show thought of the death and the culture of residents in Sung-Nam Region.
Third is religious faith and philosophy. Through remained material culture, we can substantially look into a cultural phase that is extremely ideal such as religious faith and Confucian philosophy idea that is handed down from a site of a structure in an ancient Korean state in Pangyo-Dong → the site in Pangyo-Dong at which was found a golden pagoda → BonKook-temple → the tomb of KangChungIlDang → the tomb of Leegyp
Last is traffic and telecommunication. Through Chulimsan -beacon → Naksang station, we can think about historic -cultural meaning as a street corner to enter the capital of Sung-Nam Region.
As mentioned above, by categorization of culture heritage historical-cultural identity can be distinct, not dim and vague in the historical origin and it bring out clear color that depends on how we process them from view points.
목차
Ⅰ. 머리말
Ⅱ. 본론
Ⅲ. 맺음말
〈참고문헌〉
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