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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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In 1950s, Korean movie revived after war. Since there had been no other entertainment besides movie and the pressure of postwar restoration and reconstruction weighed down, the audience became more attached to movie. The audience at that time was mainly 30-40s women, Film industry called them komushinjok and this term disparaged women audience. Housewives felt relieved while watching movie and especially melrodram was a big hit.
The production of more melodrama movies indicated that it reflected 1950s atmosphere very well after 〈Freedom Lady〉 in 1956. The melodrama in 1950s focused on daily life as a fighting Held with showing love and marriage, social success and failure, changing sense of value and domestic moral and generation gap.
This article tries to observe the spirit of the 1950s with Hong Sung-ki who was known as the best melodrama director but unfortunately his films didn't exist so I only focus on the trend of dramatized of serial novels in a newspaper. The best times of his life was from mid 50s to 60s and I tries to look over his works by dramatizing serial novels in a newpaper by Kim Nae-Sung and Park Kye-Ju. Since there were no films left so this observation depended mainly on the interview and articles of 1950-60s.
With interview and observation, I found out a lot of movies dramatized serial novels in 1950s. It also leads into two reasonings. One is that this was a method of movie production meeting audiences need at that time. The other is his movie overcame Haws of melodramatic factor in movies with characteristics of dramatization of serial novels. In other words, Korean movie industry begin to admit the existence of the audience. But this audience orientation attitude can be a dangerous factor like commercialization and popularization of serial novels. For example, a movie can be made easily with dramatization of serial novel rather than original script.
Nevertheless, I hope this article could show a detouring way in confronting absence of films while studying Korean film study. The audience in these days feel old-fashioned and outdated when they watch the films of 1950s including Hong Sung-ki's films but the audience in those days felt relieved and sympathy. And that's the way I tried to observe Hong Sung-Ki film style as a method of Korean Melodrama. So this article is a beginning to look over Hong Sung-Ki style or trend of 1950s film production but need to follow up in studying his films and style.
The production of more melodrama movies indicated that it reflected 1950s atmosphere very well after 〈Freedom Lady〉 in 1956. The melodrama in 1950s focused on daily life as a fighting Held with showing love and marriage, social success and failure, changing sense of value and domestic moral and generation gap.
This article tries to observe the spirit of the 1950s with Hong Sung-ki who was known as the best melodrama director but unfortunately his films didn't exist so I only focus on the trend of dramatized of serial novels in a newspaper. The best times of his life was from mid 50s to 60s and I tries to look over his works by dramatizing serial novels in a newpaper by Kim Nae-Sung and Park Kye-Ju. Since there were no films left so this observation depended mainly on the interview and articles of 1950-60s.
With interview and observation, I found out a lot of movies dramatized serial novels in 1950s. It also leads into two reasonings. One is that this was a method of movie production meeting audiences need at that time. The other is his movie overcame Haws of melodramatic factor in movies with characteristics of dramatization of serial novels. In other words, Korean movie industry begin to admit the existence of the audience. But this audience orientation attitude can be a dangerous factor like commercialization and popularization of serial novels. For example, a movie can be made easily with dramatization of serial novel rather than original script.
Nevertheless, I hope this article could show a detouring way in confronting absence of films while studying Korean film study. The audience in these days feel old-fashioned and outdated when they watch the films of 1950s including Hong Sung-ki's films but the audience in those days felt relieved and sympathy. And that's the way I tried to observe Hong Sung-Ki film style as a method of Korean Melodrama. So this article is a beginning to look over Hong Sung-Ki style or trend of 1950s film production but need to follow up in studying his films and style.
목차
1. 1950년대, 멜로드라마, 그리고 홍성기
2-1. 1950년대 신문소설의 영화화 경향
2-2. 신문소설, 김내성 그리고 홍성기
3. 홍성기영화를 통해 본 신문소설의 영화화의 의미와 한계
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