지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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In ruling its colonies, the Japanese Empire had actively used movies. This can be largely divided into two kinds. The first is the use as a means for the assimilation policies by massively producing propaganda films. The second is the use of movies with national policies through all kinds of laws as the social influences of movies got even more expanded.
The military rule of the Chosun Government-general, which lasted IO years, had to collide with the fierce resistance called 「the Samil (1919) Independence Movement of Korea」 without having achieved the assimilation of the Korean people which was the basic goal of the rule. It could not rule Korea with only the rule of the colony with military force. There appeared the need for the colonial policies of Japan regarding Korea to change from rule military rule to cultural politics.
In 1920, the Chosun Government-general installed a Movie Unit for cultural politics. Although, at the time, the base of movie industry of Korea was weak, immediately after the establishment of the Movie Unit, a considerable number of documentary films for propaganda uses and fiction films were produced. The tour screenings were frequently executed in Korea and Japan.
The movies produced by the Movie Unit were movies made largely with two purposes. The first were the movies introducing Korea made with the purpose of publicizing the appearances of Korea and the policies of the Government-general. The second were the movies introducing Japan with the purpose of the assimilation of the Korea people.
The Movie Unit, formed in April 1920, immediately after the Samil (1919) Independence Movement of Korea, had produced surprisingly large quantities of propaganda films in a short time period. From 1920 until 1926, it had produced up ro 238 reels of movies reaching 113,400 meters in length. Also, during the same time period, the movies were projected up to 848 times in Korea and Japan. The representative documentary films were 《Chosun Sajeong (The Korea Situation)》 made in 1920, 《Geumgangsan》 made in 1921, etc. The representative fiction films were 《Seguem Pyeon(The Tax Part)》 made in 1921, 《Boohwaleui Gil (The Road to Revival》 made in 1922, etc. And, there were the film for projection overseas. 《Yeongmoon Geumgangsan (English Geumgangsan)》 made in 1923 and others.
All such films were possessed by the Chosun Government-general after being projected. According to the need, they were rented to each organizations. And, from 1921 until 1928 the total number of rentals reached 3,672 reels. We can guess how much the Chosun Government-general had accelerated the use of movies as a means for the rule.
The military rule of the Chosun Government-general, which lasted IO years, had to collide with the fierce resistance called 「the Samil (1919) Independence Movement of Korea」 without having achieved the assimilation of the Korean people which was the basic goal of the rule. It could not rule Korea with only the rule of the colony with military force. There appeared the need for the colonial policies of Japan regarding Korea to change from rule military rule to cultural politics.
In 1920, the Chosun Government-general installed a Movie Unit for cultural politics. Although, at the time, the base of movie industry of Korea was weak, immediately after the establishment of the Movie Unit, a considerable number of documentary films for propaganda uses and fiction films were produced. The tour screenings were frequently executed in Korea and Japan.
The movies produced by the Movie Unit were movies made largely with two purposes. The first were the movies introducing Korea made with the purpose of publicizing the appearances of Korea and the policies of the Government-general. The second were the movies introducing Japan with the purpose of the assimilation of the Korea people.
The Movie Unit, formed in April 1920, immediately after the Samil (1919) Independence Movement of Korea, had produced surprisingly large quantities of propaganda films in a short time period. From 1920 until 1926, it had produced up ro 238 reels of movies reaching 113,400 meters in length. Also, during the same time period, the movies were projected up to 848 times in Korea and Japan. The representative documentary films were 《Chosun Sajeong (The Korea Situation)》 made in 1920, 《Geumgangsan》 made in 1921, etc. The representative fiction films were 《Seguem Pyeon(The Tax Part)》 made in 1921, 《Boohwaleui Gil (The Road to Revival》 made in 1922, etc. And, there were the film for projection overseas. 《Yeongmoon Geumgangsan (English Geumgangsan)》 made in 1923 and others.
All such films were possessed by the Chosun Government-general after being projected. According to the need, they were rented to each organizations. And, from 1921 until 1928 the total number of rentals reached 3,672 reels. We can guess how much the Chosun Government-general had accelerated the use of movies as a means for the rule.
목차
1. 머리말
2. 활동사진반 이전의 동화정책을 위한 영화이용
3. 조선총독부「활동사진반」설치와 초기 활동
4. 각 관청에 의한 영화이용의 확대
5. 맺는말
참고 문헌
Abstract
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