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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Russian female writers had not draw attention until Perestroika. In post-Perestroika era, the collapse of the Soviet Union and subsequent social changes provide the foundation for them to bring spotlight to their existence. Female writers claim their existence into the world, from 1989 to 1995, with continuous publication of nine collections. The introductions of『A woman with no evil memory』and『New Amazones』 contain declaration which provide the definition of women' prose and proclaim the originality of female writers. Those introductions also clearly show the driving force of these cooperative works of female writers. They take action not because they would like to build arena for fighting between male and female as the logic of western feminism tells. They take action because they would like to get over with the long history of forbidden publications of female writers and to make their own voices heard. As a result, their works now receives great recognition from critics and readers.
The emergence of Russian female writers have little thing to do with the debates of western feminism. It rather relates to their passion to examine self-identification, as a means to overcome the confusion of self-identification which followed the collapse of main ideology in the post Perestroika era. In fact, the late timing of their search for self-identification through publishing collections actually verifies the strongly deep-rooted patriarchal system of Russia.
This paper would like to examine the "Narrative Strategy" that female writers employ in order to explore self-identification understrong patriarchal Russian society. First of all, among all those nine collections I will focus on『A woman with no evil memory』and 『New Amazones』, which are among the most important collections in earlier times. The title of the latter deserves our attention in that Russian female writers refer themselves as new Amazones. Also, their works consist of sub-themes and reveal their own definitions of female that are to lead the new era. These works are the results of modem reinterpretation and rewriting myth through negation and metamorphosis, which has been distorted by males.
Russian female writers examine the physical time and space which has suppressed them so long, by textualizing the world of myth and fairy tale, or, the illusionary space and pre-historic times. Furthermore, they put one more step to create their own myth, while denying all existing ideologies. In other words, they attempt to recreate and redefine themselves through simulation, denying the image of Holy Mother, perfect woman, and even that of maternity which has been created by male writers and imposed on them. They attempt to bring symbolic and peripheral women into the main stage with redefining them through their own experiences and voices. Through those practices of redefining themselves, they establish themselves as Russians who share the pain of their times and the loss of self-identification with males, rather than as a "woman" or a "mother" whose definition is imposed and decided through the eyes of a male.
The emergence of Russian female writers have little thing to do with the debates of western feminism. It rather relates to their passion to examine self-identification, as a means to overcome the confusion of self-identification which followed the collapse of main ideology in the post Perestroika era. In fact, the late timing of their search for self-identification through publishing collections actually verifies the strongly deep-rooted patriarchal system of Russia.
This paper would like to examine the "Narrative Strategy" that female writers employ in order to explore self-identification understrong patriarchal Russian society. First of all, among all those nine collections I will focus on『A woman with no evil memory』and 『New Amazones』, which are among the most important collections in earlier times. The title of the latter deserves our attention in that Russian female writers refer themselves as new Amazones. Also, their works consist of sub-themes and reveal their own definitions of female that are to lead the new era. These works are the results of modem reinterpretation and rewriting myth through negation and metamorphosis, which has been distorted by males.
Russian female writers examine the physical time and space which has suppressed them so long, by textualizing the world of myth and fairy tale, or, the illusionary space and pre-historic times. Furthermore, they put one more step to create their own myth, while denying all existing ideologies. In other words, they attempt to recreate and redefine themselves through simulation, denying the image of Holy Mother, perfect woman, and even that of maternity which has been created by male writers and imposed on them. They attempt to bring symbolic and peripheral women into the main stage with redefining them through their own experiences and voices. Through those practices of redefining themselves, they establish themselves as Russians who share the pain of their times and the loss of self-identification with males, rather than as a "woman" or a "mother" whose definition is imposed and decided through the eyes of a male.
목차
Ⅰ. 들어가는 글
Ⅱ. 부정을 통한 자기동일성의 탐색
Ⅲ. 메타모르포시스를 통한 자기동일성의 탐색
Ⅳ. 마치는 글
참고문헌
Abstract
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