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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
국어국문학회 국어국문학 국어국문학 제141권
발행연도
2005.12
수록면
261 - 282 (22page)

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Cheong-maek(청맥), which had been published from 1964 to 1967, was a magazine read by radical intellectuals at the time. Although Cheong-maek contained a lot of important literary works and criticism, this magazine has been eliminated from literary studies for long since it was related to the ‘Tong-Hyuk party,' which was prohibited from social activity by the Korean government. The purpose of this paper is to examine the criticism of Cheong-maek and to give it a right status in the history of korean modern literary criticism.
The criticism of Cheong-maek connected anti-foreign nationalism to the theory of literary participation, and this paper searched three directions out of it. First, the critics of Cheong-maek introspected the defect of theory of literary participation, which was a mere slogan rather than a creative writing, and required new creative works based on the critical mind and historical consciousness from the writers of the day. Second, the critics of Cheong-maek illuminated alienated poetics from the perspective of sociology of literature and developed the theory of immanent growth of korean literature. Third, the critics of Cheong-maek built up the theory of realism and suggested the possibility of labor's literature while discussing the popularity and ideality problem. Likewise, the criticism of Cheong-maek implicated cognition on national literature and realism theory, and the spirit of Cheong-maek was succeeded by the national literature theory of Changjak-gwa-bipyung(창작과비평) and Sanghwang(상황) in 1970's.

목차

1. 1960년대 지식인의 사회 참여

2. 『청맥』의 잡지 이념

3. 『청맥』의 문학비평

4. 『청맥』의 비평사적 위치

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