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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Hyunkum(玄琴) reported as a Koguryo's instrument in the "Samkuksaki(三國史記)" got in the saddle as one of Shilla's typical strings, which says Hyunkum streamed into Shilla through Koguryo(高句麗) migrants after Koguryo perished. It seems that Hyunkum symbolizing the Unified Shilla was kept in custody of Neago(內庫) until King Hyoso(孝昭王). However, Hyunkuem was handed down not only in Kyungju but also in Namwon where Koguryo refugee aristocrats settled. Shilla aristocrats' special interests in Hyunkum were closely related to the ruling class's attitude toward music at the time. Through the course of acceptance of Taegaya(大加耶) music, we can see their attitude toward music was based on the idea of Yeak(禮樂) as early as mid-6th century. King Jinheung(眞興王) had the music handed down to Shilla and transformed into 5 pieces and then into Daeak(大樂). Despite all those oppositions from Shilla aristocrats, King Jinheung forced them to positively apply the idea of Yeak to politics. King Jinheung tried to ideally show Taegaya's merge into Shilla.
The experience of Shilla in the mid-6th century affected Shilla aristocrats' view on the Koguryo music after the unification. Hyunkum handed over in Namwon symbolized that Koguryo was merged into Shilla on an ideal level, which can be seen in that Kayamoo(加耶舞) was actively handed down in Kukwonkyung(國原京) in the era of King Moonmoo(文武王) even after Taegaya perished. King Munsung's ruling idea about Namwon, however, was entirely alienated from the reality at that time because Shilla had basic problems for governing the provinces. That the Koguryo music wasn't handed over well reflects that. It reminds that Only enforced external unification politics was conducted―for subjugated people―from the conquering nation's position. Therefore Shilla couldn't help having a limit if seen on the internal unification side.
The experience of Shilla in the mid-6th century affected Shilla aristocrats' view on the Koguryo music after the unification. Hyunkum handed over in Namwon symbolized that Koguryo was merged into Shilla on an ideal level, which can be seen in that Kayamoo(加耶舞) was actively handed down in Kukwonkyung(國原京) in the era of King Moonmoo(文武王) even after Taegaya perished. King Munsung's ruling idea about Namwon, however, was entirely alienated from the reality at that time because Shilla had basic problems for governing the provinces. That the Koguryo music wasn't handed over well reflects that. It reminds that Only enforced external unification politics was conducted―for subjugated people―from the conquering nation's position. Therefore Shilla couldn't help having a limit if seen on the internal unification side.
목차
Ⅰ. 머 리 말
Ⅱ. 복속·통합의 상징물로서의 古代 樂
Ⅲ. 玄琴의 신라 유입과 전수
Ⅳ. 9세기 중반 玄琴에 대한 관심
Ⅴ. 맺 음 말
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UCI(KEPA) : I410-ECN-0101-2009-911-017871864