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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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Kim Sa-Ryang[김사량],s literary works remind us that his view is not confined to the individual area but go beyond to the spiritual area of the age, in which political reality and psychological reality made a void in its age. He witnessed socialistic modem project, breaking through the intimidating dispair of the age, fighting against the imperialistic oppression. In this he joined the reality, 'via activa', and he did not aspire for eternity and immortality.
From Norm Manli[노마만리] to Jonggoonki[종군기] Kim Sa-Ryang's literary career shows his political choice against Japanese imperialism which is not different from his experiences during Chinese revolution. And it is the same way toward socialistic modern plan.
In Noma Manli, the partisan's struggle in 'Tae-Hang Mountain'[태항산] position themselves as the main group to act out the modern project. They are the main force to lead the political modernity of new country establishment after Korean Liberation.
In Chilhyunkyum[칠현금] and The Letter from the South[남에서 온 편지], the image of the curer and the cured reflects a careful thought of new republic government to treat the scars left by Japanese imperialism, which is the veterans' responsibility and the right too. It is a symbolic gesture to include the reality of divided South Korea as well as the will to expand the territory into the image of the curer and the cured. And it also ordinates 'liberation discourse of homeland' of North Korea. Especially, the discourses about the legitimacy and the war, on the one hand, show that these are made from his experiences during the Chinese Liberation process and these are regarded as an extension of modem program on the other hand.
Following Kid Sa-Ryang, the reality of divided country is not only half liberation but also a transition period for the complete liberation which is possible only in the future. Also, as this study focused, the intention to consider the reality of South Korea as being cured is to embrace the political view in an image of the curer and the invalid. From his experience he plans the new government based on socialism and targets Japanese imperialism as an enemy.
Conclusively, Kim Sa-Ryang's discourse about liberation of homeland should be regarded as an expression of dispair for the cold war, which is made by American hegemony. In this his dispair is caused not only by the failure of the modem program but by the collapse of the partisan's struggle against Japanese imperialism It also makes clear that Kim Sa-Ryang took the cold war as a hinderance of complete liberation of homeland and regarded to break it away is the one way for the goal. He find the legitimacy to save the colonized reality of South Korea in the socialistic movement and the armed revolt Of course, this instigation reveals his socialist attitude to rationalize the North Korea's will, which aims at 'the complete liberation of homeland' with their military hostilities.
Kim Sa-Ryang's works embed the discourses about 'liberation of homeland' and the military propagation to invoke hatred against the American military hegemony as well as Korean military forces. Because the discourses put into a form of empirical diagram in his North Korean novel, his war novels appear as romances, in which the persons are not simple individuals but heroes who willingly sacrifice themselves to fight against Japanese imperialism and against American hegemony.
Nonetheless, the result of war proves repeated retreats to the underestimation of the cold war order and to the overestimation of hegemonic power. The empirical discourses blur 'what is the justice of the war' but clarify the difference of awareness between South and North Korea. Here, it is found an undeniable fact that the intention for war and the combative spirit place in the form of ideology to educate peoples. Besides, it is needed to emphasize that there is no self-analysis about impetuous liberation and the radical socialistic liberation which can bring about the military encounter as well as the tragedy.
From Norm Manli[노마만리] to Jonggoonki[종군기] Kim Sa-Ryang's literary career shows his political choice against Japanese imperialism which is not different from his experiences during Chinese revolution. And it is the same way toward socialistic modern plan.
In Noma Manli, the partisan's struggle in 'Tae-Hang Mountain'[태항산] position themselves as the main group to act out the modern project. They are the main force to lead the political modernity of new country establishment after Korean Liberation.
In Chilhyunkyum[칠현금] and The Letter from the South[남에서 온 편지], the image of the curer and the cured reflects a careful thought of new republic government to treat the scars left by Japanese imperialism, which is the veterans' responsibility and the right too. It is a symbolic gesture to include the reality of divided South Korea as well as the will to expand the territory into the image of the curer and the cured. And it also ordinates 'liberation discourse of homeland' of North Korea. Especially, the discourses about the legitimacy and the war, on the one hand, show that these are made from his experiences during the Chinese Liberation process and these are regarded as an extension of modem program on the other hand.
Following Kid Sa-Ryang, the reality of divided country is not only half liberation but also a transition period for the complete liberation which is possible only in the future. Also, as this study focused, the intention to consider the reality of South Korea as being cured is to embrace the political view in an image of the curer and the invalid. From his experience he plans the new government based on socialism and targets Japanese imperialism as an enemy.
Conclusively, Kim Sa-Ryang's discourse about liberation of homeland should be regarded as an expression of dispair for the cold war, which is made by American hegemony. In this his dispair is caused not only by the failure of the modem program but by the collapse of the partisan's struggle against Japanese imperialism It also makes clear that Kim Sa-Ryang took the cold war as a hinderance of complete liberation of homeland and regarded to break it away is the one way for the goal. He find the legitimacy to save the colonized reality of South Korea in the socialistic movement and the armed revolt Of course, this instigation reveals his socialist attitude to rationalize the North Korea's will, which aims at 'the complete liberation of homeland' with their military hostilities.
Kim Sa-Ryang's works embed the discourses about 'liberation of homeland' and the military propagation to invoke hatred against the American military hegemony as well as Korean military forces. Because the discourses put into a form of empirical diagram in his North Korean novel, his war novels appear as romances, in which the persons are not simple individuals but heroes who willingly sacrifice themselves to fight against Japanese imperialism and against American hegemony.
Nonetheless, the result of war proves repeated retreats to the underestimation of the cold war order and to the overestimation of hegemonic power. The empirical discourses blur 'what is the justice of the war' but clarify the difference of awareness between South and North Korea. Here, it is found an undeniable fact that the intention for war and the combative spirit place in the form of ideology to educate peoples. Besides, it is needed to emphasize that there is no self-analysis about impetuous liberation and the radical socialistic liberation which can bring about the military encounter as well as the tragedy.
목차
1. 들어가는 말
2. 『노마만리』, 중국 내륙의 풍경
3. 「칠현금」과 ‘치유자와 병자 이미지‘
4. 『종군기』와 조국해방의 담론
5. 맺는 말
참고문헌
Abstract
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