메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
김승현 (서울대학교)
저널정보
한국현대영미소설학회 현대영미소설 현대영미소설 제28권 제2호
발행연도
2021.9
수록면
299 - 325 (27page)
DOI
10.22909/smf.2021.28.2.012

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
This paper examines Muriel Spark’s The Girls of Slender Means (1963) with a focus on the novel’s profusion of disembodied voices. While voices in Spark’s fiction were long considered ambient sound and subsidiary to plot, this paper traces how voices are integral to the ways the novel theorizes the problem of perspective. The novel’s emphasis on diversifying perspectives, thematized by its treatment of disembodied voices, resonates with Spark’s call for desegregated art which fosters sustaining a critical distance from the object. As an art of satire, The Girls of Slender Means studiously maintains a mocking distance from what it sets out to represent, a narrative process which unfolds side by side with the thematization of Nicholas Farringdon’s erroneous reading which results from his penchant for attaching preconceived notions to object. Putting the novel in dialogue with coeval works of Pierre Schaeffer and Roland Barthes which address the phenomenon of disembodied voices, this paper unravels how the novel brings to light plurality of perception as a way to work around the self-absorbed point of view that Nicholas emblematizes. Unfettered by homogenizing ways of seeing, the novel redeems the nuances of lived existence in the postwar setting, offsetting the totalizing perspective that marks Britain’s dominant narrative about the Second World War.

목차

등록된 정보가 없습니다.

참고문헌 (22)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0