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論錢鍾書短篇小說中笑的反諷 - 以短篇小說集《人 · 獸 · 鬼》爲例
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A Study on the Comic Elements in the Short Stories of Qian Zhongshu: Focus on Humans, Beasts, and Ghosts

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Type
Academic journal
Author
Heejeong Nam (協成大學校)
Journal
The Chinese Language And Literature Society Of Korea Korean Journal of Distinguished Papers of Chinese Language and Literature 2019 한국중어중문학 우수논문집
Published
2020.11
Pages
103 - 120 (18page)

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論錢鍾書短篇小說中笑的反諷 - 以短篇小說集《人 · 獸 · 鬼》爲例
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Qian Zhongshu, who is well-known as a scholar and writer, has built a wide range of thought systems based on his vast knowledge of humanities. It is faithfully reflected in the texts of Qian Zhongshu’s works - proses and novels - as well as his academic works. As researches on Qian Zhongshu become active, his texts have also been reviewed and examined in various aspects. When approached from a literary perspective, Qian Zhongshu has often been highly regarded as a master of satire and humor. This is a prominent feature in the evaluation and analysis of his novel Fortress Besieged. But, while Fortress Besieged has received much attention from Qian Zhongshu researchers, there are not many studies of his short story book, Humans, Beasts, and Ghosts. It is true that his short novels do not reach the Fortress Besieged in terms of maturity and technique, but criticism on modern civilization and the way of operating comic elements has already been tried from his short stories. Those short stories are based on Qian Zhongshu’s own cynical views, which are derived from his subjectivity and critical perception as a ‘marginal man’ that are complexly formed over several levels. In this respect, the comic elements that he utilized in his novels can be regarded as a critical strategies to overthrow the authoritative and formal values or order system by ridicule. The order and values of civilization disguised as seriousness are revealed in his comic production.

Contents

1. 緖論
2. 分裂主体的自我意识:冷笑
3. 喜劇,顛覆的可能性
4. 結論
【參考文獻】
【Abstract】

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