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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Films are about humans. Most of commonly viewed epic and narrative films we watch in theaters are stories about humans. Film directors communicate and share their perspectives and world views by sculpturing human histories, lives, and psychology. As such, ‘humans’ are the central ingredient and pigment that constitutes films.
Humans are consisted of two fundamental constructs. One is an invisible mental construct such as emotion or mind and the other is a tangible physical construct. Most of films utilize the latter, that is, physical body, in order to reveal the former, that is, human emotions and psychology. This is an idealistic perspective where we see human body simply as a means to deliver our mind, which is based on a strong belief or myth that such an attempt is what makes films artistic constructs. The majority of film directors, claiming for the superiority of mind over body, believe that the expression of human mind through body is indeed a genuine approach to the fundamental nature of human world.
Contrary to this, there is a film director who realizes his materialistic view on humans of unique characteristics in his films. Jan Svankmajer is one of the film directors who depicts humans as a film material by the use of puppet animations, stop motions, and live action techniques. This paper examines how he depicts and utilizes human bodies in his films and analyzes the messages that he wants to communicate through human bodies in aesthetic and philosophical dimensions.
Humans are consisted of two fundamental constructs. One is an invisible mental construct such as emotion or mind and the other is a tangible physical construct. Most of films utilize the latter, that is, physical body, in order to reveal the former, that is, human emotions and psychology. This is an idealistic perspective where we see human body simply as a means to deliver our mind, which is based on a strong belief or myth that such an attempt is what makes films artistic constructs. The majority of film directors, claiming for the superiority of mind over body, believe that the expression of human mind through body is indeed a genuine approach to the fundamental nature of human world.
Contrary to this, there is a film director who realizes his materialistic view on humans of unique characteristics in his films. Jan Svankmajer is one of the film directors who depicts humans as a film material by the use of puppet animations, stop motions, and live action techniques. This paper examines how he depicts and utilizes human bodies in his films and analyzes the messages that he wants to communicate through human bodies in aesthetic and philosophical dimensions.
목차
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2019-688-000339701