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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This paper was written to explain the temporality or the temporal structure in the poems of Kim Su-Yeong. Time is a basis of a world view as well as an important factor of human life.
We can see the temporal structure focused on present and the disjuntive social time in Kim’s poetry. Furthermore we can see the posmodern and postcolonial subjectivation or location.
The poem written by Kim Su-Yeong shows the articulation of the ‘moment’ and ‘history’ that is not teleological or transcendent but has the certain inclination. The introduction of ‘Third space’ or the imagination that makes ‘This articulation of ‘moment’ and ‘history’ possible is not the abstractive principle as ‘mediation’ but the hybrid as ‘negotiation’ and ‘translation’. This performance is the certain empiricalism that represent the ambivalent reality. In other words In Kim’s poetry the principle of motion-temporality- is the method that shifts and relocates the pedagogical through empirical historical instances.
I will, in this paper, cocentrate upon examining both the principle of modernity and the principle of reality in Kim’s poetry. Especially my concern here is that the temporality in Kim’s poetry achieves the stratum of reality and the political agent. In oder to be off this hook, I think, it must be noticed that the temporality in Kim’s poetry is based on the postcolonial location.
We can see the temporal structure focused on present and the disjuntive social time in Kim’s poetry. Furthermore we can see the posmodern and postcolonial subjectivation or location.
The poem written by Kim Su-Yeong shows the articulation of the ‘moment’ and ‘history’ that is not teleological or transcendent but has the certain inclination. The introduction of ‘Third space’ or the imagination that makes ‘This articulation of ‘moment’ and ‘history’ possible is not the abstractive principle as ‘mediation’ but the hybrid as ‘negotiation’ and ‘translation’. This performance is the certain empiricalism that represent the ambivalent reality. In other words In Kim’s poetry the principle of motion-temporality- is the method that shifts and relocates the pedagogical through empirical historical instances.
I will, in this paper, cocentrate upon examining both the principle of modernity and the principle of reality in Kim’s poetry. Especially my concern here is that the temporality in Kim’s poetry achieves the stratum of reality and the political agent. In oder to be off this hook, I think, it must be noticed that the temporality in Kim’s poetry is based on the postcolonial location.
목차
1. 들어가기
2. 시간성의 문제적 위치들
3. 숭고와 시뮬라크르의 교차 혹은 실재계와 상징계 사이
4. 결론
【참고문헌】
【Abstract】
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UCI(KEPA) : I410-ECN-0101-2009-809-018909642