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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Monsieur Godard is a reader and a creator in the Nouvelle vague. He made many films that were reflected on the mutual understanding and breaking moderner's relationship such as spiritual or physical prostitution, political ideology.
Between 1960 and 1968, being a representative of the Nouvelle vague period, he dealt with communication and alienation between modem couple relationship in his major works. This study examines his films into details and researches several literatures about A Bout de Souffle (1960), Vivre Sa Vie (1962), Le Mepris(1963) and Pierrot le Fou (1965). These films showed Godard's keen sight about Communication and alienation between contemporary couple relationship
Besides, this paper cover the depth of character, especially an essential element consisting of well-made film. Also, this study researches how the structure and relationship among characters were creatively comprised and vividly inspired by Godard. Finally, this study on Godard' films was expected to suggest various examples for characters in his films.
Nouvelle vague period, Godard replaced communication and alienation with life and death. His consistent interests were connected to the verge of 'Life and Death' and 'Sunrise'. So did Another his efforts to capture both immortality and a flash moment.
In 'A Bout de Souffle', he questioned the issue 'what the modem communication is' by the interview scene with movie director Jean-Pierre Melville who was a cameo in the movie. He answered the question that modem life alienated a man from a woman, saying ambiguously "everything has reasons' However, through these scenes he suggested obviously modem life alienated a man from a woman and he consistently tried to question "the aspect of the communication"
Between 1960 and 1968, being a representative of the Nouvelle vague period, he dealt with communication and alienation between modem couple relationship in his major works. This study examines his films into details and researches several literatures about A Bout de Souffle (1960), Vivre Sa Vie (1962), Le Mepris(1963) and Pierrot le Fou (1965). These films showed Godard's keen sight about Communication and alienation between contemporary couple relationship
Besides, this paper cover the depth of character, especially an essential element consisting of well-made film. Also, this study researches how the structure and relationship among characters were creatively comprised and vividly inspired by Godard. Finally, this study on Godard' films was expected to suggest various examples for characters in his films.
Nouvelle vague period, Godard replaced communication and alienation with life and death. His consistent interests were connected to the verge of 'Life and Death' and 'Sunrise'. So did Another his efforts to capture both immortality and a flash moment.
In 'A Bout de Souffle', he questioned the issue 'what the modem communication is' by the interview scene with movie director Jean-Pierre Melville who was a cameo in the movie. He answered the question that modem life alienated a man from a woman, saying ambiguously "everything has reasons' However, through these scenes he suggested obviously modem life alienated a man from a woman and he consistently tried to question "the aspect of the communication"
목차
1. 서(序)
2. 본론(序)
3. 결(結)
참고문헌
Abstract
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