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자료유형
학술저널
저자정보
저널정보
한국영화학회 영화연구 영화연구 40호
발행연도
2009.6
수록면
127 - 159 (33page)

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February 28th, 2009 is the 30th anniversary day of film director, Ha Kilchong's death. Whenever his anniversary comes, cherishing the memory articles are printed in various film magazines, and whenever it is enough to be forgotten, thesis or books about him or his films appears once, but more writings will be released in this year than ever and grand cherishing the memory events including a retrospective exhibition will be held. Although he left on 7 films which can never be called masterpiece, resisting with the whole body against 1970's when was the dark ages in Korean film history, he died young at the short life of 38 years, so yearning about him can help be particular.
Born on April 13th, 1941 in Busan, Ha Kilchong was bright than others from a child so that he was called prodigy, and resisting formal regulations of the school, read pieces of Camus with his friend, Kim Jiha, and passes premature adolescence discussing about existentialism, and was called as a 'leader of student activist' spearheading and rushing for doorsill of the Blue House on the April 1960 Revolution when he was in Seoul National University. Moreover he was not only a promising talented man who took both M.A(Master of Arts) and M.F.A(Master of Fine Arts) in UCLA graduate school and it was few and far between, but also his brilliant ability was approved to be shoulder to shoulder with the director, Francis Ford Coppola of The Godfather(1972). As we come to hear that he was in famous director with Bonnie and Clyde(1967), Arthur Penn's favor and was an assistant director of him, his untimely death makes our heart so hurt.
However are these all stories really true? Is this 'myth of Ha Kilchong' with full of ups and downs which we have never made any doubt till now and have accepted really his true figure? Of course, I do not have any intention to deny or denounce these all stories. I just want to know true figure of Ha Kilchong without aspects as a hero can appear in only biography. Truly it is to cherish the memory of Ha Kilchong really, and because I believe we can admire his achievements as a film director, a film critic and a film activist without any preconception after that.
In this article, I am finding process to establish the 'myth of Ha Kilchong' after his death and looking for truth about rumors which are related to his highschool days, university days and studying abroad days in the base of interview with his familiar friends, his writings or letters and various materials which I surveyed individually.

목차

1. 들어가며
2. ‘하길종 신화’의 시작과 확산 과정
3. 하길종 감독 바로보기 Ⅰ : 고교, 대학 시절의 영웅담
4. 하길종 감독 바라보지 Ⅱ : 유학 시절에 대한 소문과 진실
5. 마치며
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