지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
After In 2004 The Korean Film Archive found nine feature length Korean films from the 1930s and 1940s. This recovery filled in a blank in the Korean film canon; now films of the Japanese Colonial period heretofore known only in books have become available for public review.
In this paper, I attempt to study on the style of Korean films from Japanese colonial period. Although there has been hardly any extended writing about the historical development of film style, with or without its relation to film technology.
The use of a film makes of the film"s style cannot be studied apart from the film"s use of narrative form. We shall find, again and again, that film style interacts with the formal system. Often film techniques support and enhance narrative form. In a narrative film, style can function to advance the cause-effect chain, create parallels, manipulate story/plot relations, or sustain the narration"s flow of information. But also, film style may become separate from narrative form, attracting our attention in its own right. Some uses of film technique can call our attention to patterns of style themselves.
In this paper, I attempt to study on the style of Korean films from Japanese colonial period. Although there has been hardly any extended writing about the historical development of film style, with or without its relation to film technology.
The use of a film makes of the film"s style cannot be studied apart from the film"s use of narrative form. We shall find, again and again, that film style interacts with the formal system. Often film techniques support and enhance narrative form. In a narrative film, style can function to advance the cause-effect chain, create parallels, manipulate story/plot relations, or sustain the narration"s flow of information. But also, film style may become separate from narrative form, attracting our attention in its own right. Some uses of film technique can call our attention to patterns of style themselves.
목차
1. 서론
2. <청춘의 십자로> : 무성영화 스타일
3. <미몽> : 초기 발성영화 스타일
4. <어화> : 조선적인 풍광
5. <반도의 봄>, <집 없는 천사> : 고전적 할리우드 스타일
6. <군용열차>,<지원병>,<조선해협>,<병정님> : 국책영화 스타일
7. 결론
참고 문헌
Abstract
참고문헌 (0)
참고문헌 신청이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2016-688-001753172