지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Korea in the 60’s had to undergo a lot of trials and errors with their body in the situation of modernization. Director Lee Man-hee played variation differently from the other directors in this phenomenon, and built up his own world of film. Although the 60’s was the era when modernism movies were performed internationally, it was the time when Korean movies were blocked from the world movies, and it would not be too much to say that the way of talking through “space and character” shown in the films of Director Lee were totally made by his agony on his art works. He was a director who was excellent in approaching familiar things unfamiliarly. The space of Seoul Station at that time was a space of hub, which had a symbolic meaning of modernity, and which is a dangerous and alluring space and a space of opportunity and loss. This ambivalent feature may be the self-portrait of modernization of Korean society in the 60’s. Director Lee interpreted the situation of the times that this spaciality had and expressed it in his films consistently by emphasizing vertical formativeness or through uncomfortable placement. Director Lee is testing themes through the experiment of various space organization regarding modernization of capitalism which he could not help accepting in his films.
목차
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
참고문헌
Abstract
참고문헌 (20)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2016-688-001753849