지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This paper aims to research that Tayo's attainment of cultural identity as a creative messenger would be a good role model in global age in Silko's Ceremony. Tayo's overcoming the cultural conflicts can be the good solution for right direction in the borderland crisscrossing the different cultures. Tayo, a mixed breed veteran who returned with the cultural illness in World War Ⅱ heals his trauma through his ceremony in the Laguna matrilineal traditions. Tayo has the influences of social roles from males, and furthermore is identified with a Culture Hero, participating in the creative process by the helps of females as the avatars of Creatrix. As a warrior becomes a hunter in Laguna traditions, Tayo should be a warrior/hunter, not as the killer and destroyer but as the caretaker and preserver for life.
As a borderlander Tayo should revive the Laguna tradition and culture suppressed by white culture and build the bridge between diverse cultures. His journey is neither to reject the western and American viewpoint of linear and binary opposition nor to return to the tribal identity, because this simplifying conclusion can remove the real depth and complexity of this novel. Tayo's dynamic identity goes beyond the binary opposition. The complex visions rebuild both Indian and the western epistemology to create the new reality. His attainment of cultural identity is the recognition that all things are included in the Mother Earth. Though Tayo had a part of destructive power of white culture, he becomes an emissary of Mother Earth, participating in the process of creation. The reemergence as Laguna Indian is not the nostalgic return but the reemergence as a hybrid identity embracing both Laguna and outside world view.
To acquire the creative vision is to attain the life restoring power. Silko insists the importance to transform the violent vision into the creative vision. Indian civilization is alive and has its potentiality to transform the Anglo culture. She purifies both Indian's illusion to white culture and the white's illusion to Indian culture. Compromising with different cultures has the power to revive both cultures. As the consequence of ceremony, Tayo has his hybrid identity, realizes his adaptability to harmonize two cultures and accomplishes the creation of new myth.
As a borderlander Tayo should revive the Laguna tradition and culture suppressed by white culture and build the bridge between diverse cultures. His journey is neither to reject the western and American viewpoint of linear and binary opposition nor to return to the tribal identity, because this simplifying conclusion can remove the real depth and complexity of this novel. Tayo's dynamic identity goes beyond the binary opposition. The complex visions rebuild both Indian and the western epistemology to create the new reality. His attainment of cultural identity is the recognition that all things are included in the Mother Earth. Though Tayo had a part of destructive power of white culture, he becomes an emissary of Mother Earth, participating in the process of creation. The reemergence as Laguna Indian is not the nostalgic return but the reemergence as a hybrid identity embracing both Laguna and outside world view.
To acquire the creative vision is to attain the life restoring power. Silko insists the importance to transform the violent vision into the creative vision. Indian civilization is alive and has its potentiality to transform the Anglo culture. She purifies both Indian's illusion to white culture and the white's illusion to Indian culture. Compromising with different cultures has the power to revive both cultures. As the consequence of ceremony, Tayo has his hybrid identity, realizes his adaptability to harmonize two cultures and accomplishes the creation of new myth.
목차
1. 서론
2. 대지와 문화정체성의 관련성
3. 대지와의 단절과 타요의 정신적 혼란상황
4. 의식을 통한 문화적 영웅으로서의 인식
5. 진정한 전사ㆍ사냥꾼으로서의 재인식
6. 결론
〈인용문헌〉
〈Abstract〉
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
자기중심주의의 극복과 생태적 예지의 진화 : 실코의 『의식』 다시 읽기
문학과환경
2009 .12
-
실코의 「의식」에 나타난 풍경과 생태학적 내재성
문학과환경
2003 .06
-
레슬리 마몬 실코의 『의식』에 나타난 서사와 혼종성
신영어영문학
2020 .08
-
레슬리 마몬 실코의 『의식』에 나타난 생태여성주의적 글쓰기
문학과환경
2008 .06
-
공감으로서의 이야기: 레슬리 마몬 실코의 『의식』 다시 읽기
스토리앤이미지텔링
2018 .06
-
비판적 혼종성의 가능성과 실코의 『의식』
새한영어영문학
2011 .05
-
The Use of Cultural Memories in Ceremony and The Woman Warrior
영어권문화연구
2014 .01
-
“YOU ARE PART OF IT”: MYTH AS A WEB IN LESLIE MARMON SILKO'S CEREMONY
새한영어영문학회 학술발표회 논문집
2010 .10
-
문화와 동일성(연구노트)
문화과학
2018 .06
-
文化正體性 확립을 위한 硏究
한국사상과 문화
2010 .01
-
레슬리 마몬 실코의 『이야기꾼』: 이야기꾼의 역할
동화와 번역
2011 .01
-
디지털 시대, 지역문화콘텐츠 개발의 의미와 방향
열린정신 인문학연구
2011 .12
-
인도 여신신화와 여성정체성 : 여성정체성의 이중구조와 그 인도 문화적 의미
종교연구
2006 .12
-
라구나 푸에블로의 생명력 ―『이야기꾼』의 생태여성학적 읽기
현대영미시연구
2019 .01
-
『在日』の変貌を描く映画『GO』 : 親子関係を中心に
일본연구
2012 .02
-
초등 3학년 영어교과서 문화 분석 및 체험중심 문화지도 방안 제언
영어영문학연구
2012 .01
-
Review of Korean Culture
Korea Journal
1965 .03
-
Review of Korean Culture
Korea Journal
1965 .04
-
문화 속의 우리와 타자 - 문화의 지역성과 세계성
철학연구
2003 .08
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2010-810-001992217