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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국비평문학회 비평문학 비평문학 제32호
발행연도
2009.6
수록면
215 - 232 (18page)

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초록· 키워드

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Sinking to inner world and alienation and sense of loneliness, which are prominent in Jeong Hanmo’s early poems, remind us of ‘narcissism’ in the psychology. Freud defines narcissism as libidinal. That the subject in symbolic world withdraws interest and love from object to itself is not different from an attempt to recur to the complete union of subject and object which was enjoyed in one’s infancy. At this point, the subject forms a connection with the object in the fantasy that is reorganized to meet one’s ego impulse , instead of the external object in the real world. Therefore, the object that the narcissistic subject experiences is, after all, the other as reflection of the ego, i.e. an altered ego, and a narcissistic transition is accompanied. And it appears as emotional manifestation like the process of represented by image, recognition of self-existence situation through alienation and sense of loneliness, and longing for primitive maternal world. In his middle and latter years poems, it can be said that serous attempts were made to meet Jeong Hanmo’s narcissistic desire. Image of baby and image of sea are structures that can make feel enough narcissistic satisfaction. And Jeong Hanmo identify tree, who has the same situational identity as him, with him and discovers his from them. That is, he experiences narcissism that feels his own ideal self-image through such self ideals. However, the subject cannot help but inevitably encounter evidences of lack of self in such a narcissistic transition. Therefore, the poems of playing with words that exhibit evidence of lack and nihility residing in the other side of narcissism. We can see that, like this, the process to rather tame nihility in semiotic world is also to exhibit the narcissistic desire of the subject that pursues the world of primitive satisfaction.

목차

1. 서론
2. ‘닫힌 창’에 나타난 공허과 소외
3. ‘아가’와 ‘바다’로 상징되는 1차적 나르시시즘(primary narrissism)
4. ‘아그배나무’로 상징된 자아 이상과 언어유희
5. 결론
【참고문헌】
【Abstract】

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