지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
〈Digital narratology〉 can define as “Study that study general narration syntax between various digital narration text that development of a technology that is digital enables.”
Computer game, hypertext, web art, digital art etc. are included but 〈Digital narratology〉 studies description action of individual digital narration sieve in digital narration body but there is scientific purpose to clear digital narration sieve general practitioner narration rule advancing step better.
In digital narration body writer(writer) as editor(editor) reader(reader) by doer (performer), (reading) to read with (writing) to be bitter is substituted individually by play(play).
〈Digital narratology〉 must examine closely as aesthetic and support whether digital narration grammar is something whether such change occurred why, caused some effect in the narration.
〈Digital narratology〉 relationship low rank area converges in form esthetics enemy of digital narration sieve narration action theory that study ‘Position’, ‘Action’, ‘Mutual understanding’ is, and there is narration genre theory that converge in individual genre of digital narration sieve, and there is variation of story in digital narration sieve, narration text theory that study text sex, network and text sex, network, industrial practical use etc.. mutually.
It is part that will see as technology type narration if will see digital narration on description type narration that we overlook and won’t do in 〈Digital narratology〉.
Must put barycenter whether talk how to belong to category of 〈Digital narratology〉 this literature or talk seen something.
Because that we can suppose computer game or web art by text create story through digital text or hear story or talks doers.
Computer game is not literature but because it is narration, is indwelling general narration rule that transcend form.
Computer game, hypertext, web art, digital art etc. are included but 〈Digital narratology〉 studies description action of individual digital narration sieve in digital narration body but there is scientific purpose to clear digital narration sieve general practitioner narration rule advancing step better.
In digital narration body writer(writer) as editor(editor) reader(reader) by doer (performer), (reading) to read with (writing) to be bitter is substituted individually by play(play).
〈Digital narratology〉 must examine closely as aesthetic and support whether digital narration grammar is something whether such change occurred why, caused some effect in the narration.
〈Digital narratology〉 relationship low rank area converges in form esthetics enemy of digital narration sieve narration action theory that study ‘Position’, ‘Action’, ‘Mutual understanding’ is, and there is narration genre theory that converge in individual genre of digital narration sieve, and there is variation of story in digital narration sieve, narration text theory that study text sex, network and text sex, network, industrial practical use etc.. mutually.
It is part that will see as technology type narration if will see digital narration on description type narration that we overlook and won’t do in 〈Digital narratology〉.
Must put barycenter whether talk how to belong to category of 〈Digital narratology〉 this literature or talk seen something.
Because that we can suppose computer game or web art by text create story through digital text or hear story or talks doers.
Computer game is not literature but because it is narration, is indwelling general narration rule that transcend form.
목차
1.〈디지털서사학Digital narratology〉의 개념과 영역 설정
2.〈디지털서사학〉의 전 단계
3.〈디지털서사학〉의 연구 동향
4. 현 단계 〈디지털서사학〉의 쟁점
5.〈디지털서사학〉의 정립을 위한 제언
【참고문헌】
【Abstracts】
참고문헌 (21)
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UCI(KEPA) : I410-ECN-0101-2009-809-015837285