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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Every epics in the modem age has focused on human being again, and monsters in today’s novels are representing and symbolizing some nature of violent revelation in original desire of inner part of human being. In accordance with this, humans are defined as potential monsters in modem epics. In Catching a Ghost of the Village Headman in Bu-yeo by Kim, Tack-whan and Cabinet by Kim, Un-soo, writers show active reproduction of familiar monsters in myth using great contemporary senses. Also, the writers concentrate on the actual existence through the intense plot about monsters in modem pathological situation. These novels are testimonies of chosen chroniclers who can read the intention of monsters.
People who wants to leave records on monsters are the ones desiring for “newie” whether it is problems of past which have been existing or portents of future happenings. Even though the distance between “I trust for certain” and “I cannot help trusting” still remains, epical state of first record is already determinated. Existing recorders cognize the aesthetic of weirdness in the rule of reality, and solve the grudge of monsters, and work as a reconciler drawing monsters to the safe territory. While, today’s recorders don’t hesitate to communicate with reality through monsters, and desire continually for confronting with monsters, and want to open the pathway which leads to the world of fantasy.
One and only being that creates monsters and make monsters genuine ones appears when first eyewitness and first recorder are all the same, Therefore we have to always write and read about monsters and be responsible for conveyance. Because the story appearing in the middle of the epic creates another monster and complicated work can be repeated to understand whole story line. The fantasy is not the aspiration and nostalgia for actual reality, but the active deeds and playing that choose and construct various tangible realities.
People who wants to leave records on monsters are the ones desiring for “newie” whether it is problems of past which have been existing or portents of future happenings. Even though the distance between “I trust for certain” and “I cannot help trusting” still remains, epical state of first record is already determinated. Existing recorders cognize the aesthetic of weirdness in the rule of reality, and solve the grudge of monsters, and work as a reconciler drawing monsters to the safe territory. While, today’s recorders don’t hesitate to communicate with reality through monsters, and desire continually for confronting with monsters, and want to open the pathway which leads to the world of fantasy.
One and only being that creates monsters and make monsters genuine ones appears when first eyewitness and first recorder are all the same, Therefore we have to always write and read about monsters and be responsible for conveyance. Because the story appearing in the middle of the epic creates another monster and complicated work can be repeated to understand whole story line. The fantasy is not the aspiration and nostalgia for actual reality, but the active deeds and playing that choose and construct various tangible realities.
목차
1. 알파 포식자에 대한 철학적 접근
2. 과잉외연의 여백과 재현의 개연성
3. 괴물에 대한 기록자가 획득한 서사적 위치
4. 괴물, 환상을 해석하는 습관
【참고문헌】
【Abstracts】
참고문헌 (15)
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