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자료유형
학술저널
저자정보
저널정보
한국비평문학회 비평문학 비평문학 제26호
발행연도
2007.8
수록면
181 - 216 (36page)

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초록· 키워드

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An overall review of Korean poetry literature in the 1920s centrally from literary coterie magazines concludes that it largely shows 'romantic emotion' and 'decadent tendency.' The truth is, however, western romanticism had no influence on the poets from this land in the early 1920s. If poets who studied in Japan read Blake or Wordsworth by any chance, we might think about such a possibility, but no evidence for it was found yet. Although some of the works by Byron and Verlain were translated by domestic coterie magazines, they were far from 'decadent tendency.'
Looking back at 162 poems from 15 different coterie magazines, such as Changcho vol. 9, Baekcho vol. 3, Pyehuh vol. 2, Post-Pyehuh vol. 1 etc., I find that there were surprisingly more poetry with bright images than with dark images. So the existing criticism on them, in which poetry in the literary coterie magazines of the 1920s are named "pathetic and pale literature of appreciation" or "decadent tendency," might be appropriate for some poetry, but not for all poetry.
I reviewed works with bright images here, rather than with dark images which have been discussed a lot so far. As a result, among the literary works of the 1920s, I find that there are a large number of poems dreaming 'hope' and 'yearning,' praising the sun and power, and future-oriented and dynamic ones. The qualities of these works are comparable to those of the poems with dark images mentioned before. In particular, Baek Chul's and Cho Yeonhyun's review on the poetry of the 1920s turned our to be the outcome of prejudice for the most part.
In conclusion, despite the fact that about half of the 162 poems in the literary coterie magazines of the 1920s are evidently based upon the emotions of 'hope' and 'yearning,' the study on the poems proved to have been neglected. In this sense, I believe that the 1920s in the history of Korean poetry literature needs to be explored from now on, entirely from a new point of view.

목차

Ⅰ. 실마리
Ⅱ. 20년대의 감성에 대한 오해
Ⅲ. 20년대 문예동인지의 감성
Ⅳ. 마무리
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