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Cho, Young-Bok, 2003. A Study on the Recognition of Aesthetic Concept and the Genre Formation Process of Korean Early
Modern Poetry. URIMALGEUL : The Korean Language and Literature 29. 489-526. This thesis is to examine the formation process of the early modern poetry from three different points of view: formal, aesthetic and ideology-historical points. The early modern poetry which has been understood as an imitation of symbolist poems needs to be reviewed from following various angles.
First, this thesis proved the fact that the character of coterie of those days was problematic because associates of literacy coterie magazines, such as the Samkwang, the Pyehur, the Jangmichon and Shinsaenghoal etc. are not only literary men but also ideologists.
Secondly, the participation of ideologists is related to the formation of early modern poetry's themes, which cannot be easily distinguished from naturalism or mysticism showed in socialist ideology and symbolist poems.
Thirdly, this thesis examines concretely the case of Hwang Seok-woo and Namgung Byuk who are estimated as typica1 symbolist poets. Hwang's poems show an interim step in the way of formal experiment and aesthetic purification of Korean modern poetry. And the issue of self-awakening in Namgung's works can be estimated as a level preparing the formation, of modern aestetics, showing the birth of independent human being as modern individual.
It is also emphasized in this thesis that the early 1920' poems tend to show excessive romanticism and idealism by stressing so-called 'grandiose self'. This means that it is difficult to regard the romanticism or symbolism of those days as a product of decadent mind which imitated western poetic style.
In conclusion, this thesis tries to analyze concretely the forming process of Korean modern poetry from aesthetic, thematic and formal points of view, overcoming the existing attitude of understanding the early modern poems as only one singular discourse of symbolism. (KwangWoon University)
Modern Poetry. URIMALGEUL : The Korean Language and Literature 29. 489-526. This thesis is to examine the formation process of the early modern poetry from three different points of view: formal, aesthetic and ideology-historical points. The early modern poetry which has been understood as an imitation of symbolist poems needs to be reviewed from following various angles.
First, this thesis proved the fact that the character of coterie of those days was problematic because associates of literacy coterie magazines, such as the Samkwang, the Pyehur, the Jangmichon and Shinsaenghoal etc. are not only literary men but also ideologists.
Secondly, the participation of ideologists is related to the formation of early modern poetry's themes, which cannot be easily distinguished from naturalism or mysticism showed in socialist ideology and symbolist poems.
Thirdly, this thesis examines concretely the case of Hwang Seok-woo and Namgung Byuk who are estimated as typica1 symbolist poets. Hwang's poems show an interim step in the way of formal experiment and aesthetic purification of Korean modern poetry. And the issue of self-awakening in Namgung's works can be estimated as a level preparing the formation, of modern aestetics, showing the birth of independent human being as modern individual.
It is also emphasized in this thesis that the early 1920' poems tend to show excessive romanticism and idealism by stressing so-called 'grandiose self'. This means that it is difficult to regard the romanticism or symbolism of those days as a product of decadent mind which imitated western poetic style.
In conclusion, this thesis tries to analyze concretely the forming process of Korean modern poetry from aesthetic, thematic and formal points of view, overcoming the existing attitude of understanding the early modern poems as only one singular discourse of symbolism. (KwangWoon University)
목차
1. 문제제기
2. 삼광, 폐허, 신생활 지의 관계
3. 형식의 정제와 근대적 미학의 형성: 황석우의 경우
4. 근대적 자아 인식의 근거: 자아의 존귀함: 남궁벽의 경우
5. 근대적 자아의 장엄함과 은유
6. 정결한 자아로서의 자연 사상
7. 결론
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