지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In previous studies, Kim Soo-young had been considered as a precursor of modernist, who adopted the core spirit of modernism. Sometimes he was believed hard to be understood This study will focus an male consciousness revealed in his poems, Although his poems show conflict between self and world, they reveal his self-consciousness as a man, who lived a difficult time.
In his poems Kim reveals his male consciousness as a intellectual, who confronted modernity. A stereotype of modern "macho man" is very close to the image of a man who possesses a sense of responsibility and determination, independence and achievement, power and humanity. It is very different from the traditional image of a man which was valued in the pre-industrial society, in which a man was thought to be scholastic. An ideal man in the traditional society should re idealistic and nominalistic, but was actually powerless and interdependent in the real world He evaluated human relations very high and was very social. In this view Kim felt the conflict between the image of "traditional man" and "modern man" and found discontinuity between the two images.
Facing modernity, Kim was exposed to the reality of backwardness of Korea, which had been refused to maintain the traditional way of life or normal historical development. Continuity of history and tradition was identified with male consciousness in Kim At this point. Kim experienced historical discontinuity and disorganization of identification. A father was not supposed to be confronted face to face, a wife was a front-runner of new civilization and a quick adopter of the real world.
In this respect, "Pul(Grass)," which had been usually interpreted from a viewpoint of people (minjung), needs a new interpretation In "Pul" Kim could not avoid the dichotomy of comparison, describing as 'faster than the wind,' 'ahead of the wind,' or 'later than the wind' Kim revealed that he was not free from the competitive world by using adverbs and verbs which mean comparison to describe the wind It shows he was in conflict with reality. From the viewpoint that the 'laughing' of a man on the grass was not 'laughing' of anybody but 'faster one,' Kim's poetry was interlocked with the lives of modern men. It reveals disorganization and conflict of modern men and 'the process of manly overcome' because 'laughing' on the grass is a laugh of revolutionary achievement and also a laugh busted at the end of manly 'self-confrontation' 'The victory of grass' is clearly different from the value of new creation which attempts universal reconciliation through cycling, prosperity, and expansion.
In his poems Kim reveals his male consciousness as a intellectual, who confronted modernity. A stereotype of modern "macho man" is very close to the image of a man who possesses a sense of responsibility and determination, independence and achievement, power and humanity. It is very different from the traditional image of a man which was valued in the pre-industrial society, in which a man was thought to be scholastic. An ideal man in the traditional society should re idealistic and nominalistic, but was actually powerless and interdependent in the real world He evaluated human relations very high and was very social. In this view Kim felt the conflict between the image of "traditional man" and "modern man" and found discontinuity between the two images.
Facing modernity, Kim was exposed to the reality of backwardness of Korea, which had been refused to maintain the traditional way of life or normal historical development. Continuity of history and tradition was identified with male consciousness in Kim At this point. Kim experienced historical discontinuity and disorganization of identification. A father was not supposed to be confronted face to face, a wife was a front-runner of new civilization and a quick adopter of the real world.
In this respect, "Pul(Grass)," which had been usually interpreted from a viewpoint of people (minjung), needs a new interpretation In "Pul" Kim could not avoid the dichotomy of comparison, describing as 'faster than the wind,' 'ahead of the wind,' or 'later than the wind' Kim revealed that he was not free from the competitive world by using adverbs and verbs which mean comparison to describe the wind It shows he was in conflict with reality. From the viewpoint that the 'laughing' of a man on the grass was not 'laughing' of anybody but 'faster one,' Kim's poetry was interlocked with the lives of modern men. It reveals disorganization and conflict of modern men and 'the process of manly overcome' because 'laughing' on the grass is a laugh of revolutionary achievement and also a laugh busted at the end of manly 'self-confrontation' 'The victory of grass' is clearly different from the value of new creation which attempts universal reconciliation through cycling, prosperity, and expansion.
목차
1. 들어가며
2. 직선의 속도감과 남성성장주의의 신화
3. 분열된 남성성과 갈림의 언어
4. 부재/현존하는 아버지, 서책
5. 좌절된 팔루스의 세계
6. 새로운 역사, 새로운 사랑
참고문헌
Abstract
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