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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국시학회 한국시학연구 한국시학연구 제7호
발행연도
2002.11
수록면
109 - 140 (32page)

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초록· 키워드

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The treatise has studied on a recognition of civilization in Jeong Ji Yong’s Poetry. Jeong Ji Yong, who lived his life across the modern age and the premodern age has promoted the modernity of our poetry by forming his experience of civilization as his literary work. He was neither a poet who positively praised a modern civilization nor the poet who attempted only to avoid with unreality without faceing up to the difficulty of civilization. He made an effort faithfully to pursue an order of civilization which very radically developed.
The returned poet, who widely experienced of modernity through studying abroad in Tokyo made a positive effort to find out a modern civilization. It was a space for a symbolic modern experience in “The Poetry of the Sea” created before and after this time. On the other hand, the treatise was able to find out the recognitive attitude of further complex civilizations by analyzing the poetry like 「The Yusunaesang유선애상」 and the prose like 「The Asphalt아스팔트」. After all, he had to proceed to a transcendental world which represented a religious poetry and a natural poetry to abandon the expectation of a possibility on civilization.
He created a religious poetry and a natural poetry in order to gain a mental comfort and to overcome a secularism, abstruseness and danger from a modern civilization adding an extra weight of loneliness and worriment. This was a searching of an alternative idea of a keen anti-civilization against a harm of civilization. After all, the contention in this treatise is that the whole structure of Jeong Ji Yong’s poetry which continued into Children’s verse, Farm poetry, Sea poetry, Urban poetry, Poetry of Religion, Poetry of Nature includes a process of mental agony to a modern civilization.

목차

1. 서론
2. 신문명 체험과 고향 상실감
3. 문명의 난해성과 위험성
4. 이상적 문명과 반문명적 대안
5. 결론
참고문헌
Abstract

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