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자료유형
학술저널
저자정보
저널정보
한국비평문학회 비평문학 비평문학 제24호
발행연도
2006.12
수록면
47 - 71 (25page)

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초록· 키워드

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「Heosaengjeon」, which was released by Lee, Gwang-su in 1923, emphasized that earnest person in distress of a colony was an economic hero. An economic hero described through ‘Heosaeng’, showed that the leader who could save the people should have not only governing ability but also economic ability. However, his wife was embodied with the caricatured appearance.
In the parody, which was released by Chae, Man-sik in the liberation period, ‘Heosaeng’ was paid attention as a Seonbi who realized equality for people and ‘Maehwa’, who loved ‘Heosaeng’ until her death, was described as a woman character who achieve the half of success. Equality for people in 「Heosaengjeon」 by Chae, Man-sik corresponded with the situation that right and left wings were jumbled with bifurcation to hold hegemony of liberal space.
In the parody released by Lee, Nam-hui in the late 80's, asurrounding, the wife, who had been covered with the main character ‘Heosaeng’, was restored by the influence of a feminist writing. The aspect of ‘Heosaeng’ and the wife in the parody by Lee, Nam-hui became rapidly different from the preceding parody. Heosaeng's contradiction for the spirit of Seonbi was revealed reflecting the wife's affirmative life style. It could be said that a time distance of about 40 years made the difference as a critical distance.

목차

1. 머리말
2. 영웅에 가려진 희화화된 여성 : 이광수의「허생전」
3. 절반의 성공을 이룬 여성 : 채만식의「허생전」
4. 선비정신에 도전한 여성 : 이남희의 「허생의 처」
5. 맺음말
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〈Abstract〉

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