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자료유형
학술저널
저자정보
저널정보
19세기영어권문학회 19세기 영어권 문학 19세기 영어권 문학 제10권 2호
발행연도
2006.8
수록면
85 - 115 (31page)

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Until recently, in the study of the nineteenth-century American literature, the concept of ‘separate spheres' had been accepted without any dispute probably because of its usefulness in the analysis of American literature and its culture. The mainstream literary criticism has accepted that concept because it functioned to separate the white male elite literature from sentimental and domestic popular literature mainly written by women. Meanwhile, American feminist critics also utilized the concept because it helped to establish the position of the mid-nineteenth-century domestic or sentimental novel mostly written by white middle-class women in the American literary history. However, such favorable usage of the ‘separate spheres' paradigm seems to have been under challenge recently when it began to be criticized by several historians and literary critics for its lack of consideration on the race and class issues. Thus this paper discusses, after a short summary of the changing history of the concept of ‘separate spheres,' three works by mid-nineteenth century black writers, William Wells Brown, Harriet Jacobs, and Harriet E. Wilson, which demonstrate most effectively the limitation of that concept by showing what happens to women's lives when the racial and class issues are involved and how differently their lives should be considered from those of the white middle-class women's. However, this paper conclusively argues that the concept of the ‘separate spheres' is still a very useful one to the study of American literature despite its serious defect.

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