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자료유형
학술저널
저자정보
저널정보
한국어문학회 어문학 어문학 제91집
발행연도
2006.3
수록면
455 - 481 (27page)

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Park Hae-shoi is a Korean poet with the pen name of Seokjeong and his life was filled with unwavering lifelong movement at the revolutionary front. His crossing over the border into North Korea had made Korean people even those in his hometown turn their back on him, but recently Park’s reputation as a revolutionary activist has been restored as he was included on the list of men of merit for Korea’s independence from Japanese colonial rule. This paper focuses on reestablishing Seokjeong Park’s life and literary activities. Yet, the sheer lack of records to examine Park’s literary works after his moving into North Korea has made the study quite hard. The followings are the summary of the study.
First of all, Seokjeong Park actively participated in the media by contributing his works to the juvenile media including『New Boys(Sinsonyeon)』or『Children』 from his elementary school days in Milyang, South Gyeongsang Province. On top of these experiences, his contribution of writings to newspapers such as『The Dong-A Ilbo』or『The Chosun Ilbo』and widespread socialist movement in his hometown Milyang made Park dedicate himself to the juvenile movement. Seokjeong Park took the lead in systematic learning of theories, organized activities and campaigns through the media as he assumed a major role at the Milyang Juvenile Association and the South Gyeongsang Juvenile Association. So-called ‘Munyedonginsa’ case in 1928 was a testament to his social consciousness and the level of juvenile movement at the time.
Second, Seokjeong Park moved to Tokyo to fully engage himself in socialist movement after the trials on ‘Munyedonginsa.’ As displayed in activities of the Dongjisa or the Association of Koreans under the umbrella of the KOPF, Park strived hard to rebuild an organization of Korean proletarian cultural movement in jeopardy through media campaigns. He made a failed attempt with Yim Hwa, Lee Chan, and Sin Go-song through a secret communication network in Korea to bring in an organ titled『Uri Dongmu』only to be detected, and he was even imprisoned by the National Police Agency of Japan around 1933. So, it is assumed that he showed most pronounced capabilities as a leader of the organized campaign around this time.
Third, it is impossible to know exactly about his activities at the end of the Japanese colonial rule, but, presumably, he seemed to have arrived in Korea ahead of the nations' independence and gone to North Korea in the middle of April 1946. And he seemed to have a great influence on the North Korea’s literary circles while undertaking many duties as a director of demagogy division at Propaganda Department of the North Korean Labor Party, a member of the Central Committee at the Korean Writers' Association and an editor of『Literature News(Munhak Sinmun)』Yet, he was purged in 1967 and since then he went out of people’s mind. This might be able to explain why his name is not listed on 『Literature and Art Dictionary』(Society and Science Academy, Juche Literacy Institute, 1988~1993) and『Grand Dictionary of Literature』(Society and Science Academy, 2000) published by North Korea.
Seokjeong Park’s presence in the big picture of modern proletarian literature cannot be underestimated, given his dedication to the juvenile movement in his late teens and active engagement around the time of Korea’s independence. Moreover, it was Seokjeong Park who led a public campaign with literature in the earliest days of Milyang’s modern regional literary history. All of these show Park was a single-minded poet with a consistent commitment not only to proletarian literature in South Gyeongsang Province but also to the process of Korea’s modern proletarian literature. Therefore, further studies are needed to examine his literary works during the times of Korea’s independence and his days in North Korea as well as during the Japanese colonial rule. It is time to shed light on and fully appreciate a life and literary works of a poet who seemed to have secured a central position in North Korea’s literary circles until the end of 1950s, but died lonely as a coal miner after purged in 1967.

목차

1. 들머리
2. 소년운동과 매체 투쟁
3. 광복기와 월북 후의 문학 활동
4. 마무리
참고문헌
(붙임) 박석정 작품 해적이
저자소개
[Abstract]

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