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논문 기본 정보

자료유형
학술저널
저자정보
윤주옥 (연세대학교)
저널정보
연세대학교 유럽사회문화연구소 유럽사회문화 유럽사회문화 제16호
발행연도
2016.6
수록면
139 - 154 (16page)

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Le Fresne is one of the twelve Breton lais that an Anglo-Norman author Marie de France is claimed to have composed in the second half of the twelfth century. This poem begins with an unnamed young noble lady who accuses the wife of her husband’s friend of having committed adultery as soon as the news is broken that the latter has just given birth to healthy twin sons. In this paper, I will concentrate on the implication of this major crisis of the romance. Neither the narrator’s initial identification of the lady as a deceitful and envious woman nor modern critics’ readings of her that are in essence reinforcing the narrator’s judgment seem to fully explain what may drive her to throw such a lethal attack on the innocent woman. This is because she has presented herself as a nurturing, self-reflective, and sympathetic individual in other occasions. I will try to account for the impulsive and violent demeanors of the lady by relying on the concepts revolving around fear, self-preservation, and projection that T. H. Adorno and Max Horkheimer elaborate in Dialect of Enlightenment. I will argue that the lady is none less than a fearful subject whose self-preservation system is automated against the danger signs, which are embodied in the new mother and her twin sons and then the lady’s own twin daughters, all of which evoke the primeval fear over which she has no control.

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