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Historical Development and Change of Crean Painting in China
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중국 학 그림의 역사적 전개

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Type
Academic journal
Author
Junegu Chang (이천시립월전미술관·홍익대학교)
Journal
충남대학교 인문과학연구소 인문학연구 인문학연구 제61권 제3호 KCI Accredited Journals
Published
2022.9
Pages
235 - 261 (27page)

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Historical Development and Change of Crean Painting in China
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This paper examines the expression method and character of Chinese academic painting in connection with changes in the times. The academic painting, which was confirmed to have appeared for the first time in the period of the North and South Korean War through records, was developed by period with Taoist symbolism, Confucian symbolism, and Buddhist symbolism. In the early days, it was often drawn as a bird symbolizing utopia, which is connected to Gonryunsan Mountain, a Taoist utopia, but as the times changed, the tendency to be treated as a bird symbolizing hermit, intellectual, and bureaucracy increased. As the characteristics of birds that live long in the Qing Dynasty were highlighted, it was actively dealt with in the harmony of livestock, resulting in further spread. This is interesting because it is also associated with changes in Chinese painting and painting. This aspect is difficult to grasp through analysis of other animals, which disproves that crane paintings were important and attracting attention in Chinese painting.
#학 #학 그림 #두루미 #화조화 #영모화 #중국 회화 #Crane #Crane Painting #Bird and Flower Painting #Animal Painting #Chinese Painting #Chinese Art

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