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논문 기본 정보

자료유형
학술저널
저자정보
주혜정 (전남대학교)
저널정보
일본어문학회 일본어문학 일본어문학 제97호
발행연도
2022.5
수록면
483 - 505 (23page)

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In this study, I compare two Korean and Japanese films in order to analyse the process whereby the popular music formed in US military villages, especially the music of “rock band”, was accepted and transformed in the two countries. For this purpose, I explore the differences in the space in which the US military villages in Korea and Japan were located and the process whereby the rock band music was formed in these military villages, paying special attention to films describing the rise and fall of rock bands that acted in US military villages from the late 1960s to the 1970s during the Vietnam War. More specifically, I analyse the Korean film Go Go 70s, directed by Ho Choi in 2008 and the Japanese film A Sign Days, directed by Yoichi Sai in 1989. My analysis reveals the following points. On the one hand, in Korea, the musicians of the time considered the stage of the US Eighth Army to be the gateway to success, and the music that emerged in the US military villages may be regarded as a source of modern Korean music. On the other hand, in Japan, the music of the US military village in Okinawa was consumed as Okinawan’s music, and it spurred the emergence of Okinawan rock in contemporary Japan.

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