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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2022.6
- 수록면
- 55 - 72 (18page)
- DOI
- 10.29324/jewcl.2022.6.60.55
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초록· 키워드
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The aim of this essay is to compare Yeats’s play, The Land of Heart’s Desire, and Maurice Maeterlinck’s The Intruder. This essays focuses on the ways in which the two writers mobilize their sense of the supernatural as a means to show the social and spiritual alienations of their time. In The Land of Heart’s Desire, a young bride Mary Bruin longs to escape from her house (which symbolizes the common middle-class values) to the fairy world where no one is unhappy, and no one grows old. Symbolized by a fairy child, the spiritual world is used as a contrast to the daily world in which Mary is expected to fulfill her role as a housewife. Despite the entreaties of her husband, she succumbs to the lure of the Child and decides to follow her to the fairy land. Mary dies, with the suggestion that she has an alternative existence in the world where no one grows old. In The Intruder, there is a mother who has fallen ill after giving birth. As in Yeats’s play, spiritual dimensions are symbolized in a figure of child, who had not uttered a single cry after his birth. It is as if the child is made of wax; when the child’s first cry arrives, at the text’s dénouement, the sound coincides with his mother’s death. Thus, in both Yeats and Maeterlinck’s work, the supernatural poses questions to the spiritual and social realities of their time.
목차
ABSTRACT
I. Introduction
II. The Land of Heart’s Desire
III. The Intruder
IV. Conclusion
Works Cited
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