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The Belgian Symbolism is as important as the French one, and the French poet Villiers is a mentor, particularly for Maeterlinck. Yeats also acknowledges Villiers as the main Symbolist influence on him. But Villiers is not the only French Symbolist he knows and certainly not the first he discovers. Not being really familiar with France’s literary life until the eighteen-nineties, Yeats discovers Villiers at the same time that he meets with Maeterlinck or even after Maeterlinck, although Maeterlinck belongs to the next generation, that of Yeats. Yet, while Yeats easily admits the influence of Villiers, he always subtly debunks any critic who tries to associate him [Yeats] with Maeterlinck.
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참고문헌 (22)
참고문헌 신청
Donoghue, Denis / 1959 / Modern British and American Verse Drama / Princeton UP
Genet, Jacqueline / 1989 / Yeats: The European / Barnes & Noble Books
Genet, Jacqueline / 1995 / Le Theatre de William Butler Yeats / Presses Universitaires du Septentrion
Jolly, Genevieve / 2002 / Dramaturgie de Villiers de l’Isle-Adam / L’Harmattan
Katharine Worth / 1978 / The Irish Drama of Europe from Yeats to Beckett / Athlone Press
Genet, Jacqueline / 1989 / Yeats: The European / Barnes & Noble Books
Genet, Jacqueline / 1995 / Le Theatre de William Butler Yeats / Presses Universitaires du Septentrion
Jolly, Genevieve / 2002 / Dramaturgie de Villiers de l’Isle-Adam / L’Harmattan
Katharine Worth / 1978 / The Irish Drama of Europe from Yeats to Beckett / Athlone Press
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