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논문 기본 정보

자료유형
학술저널
저자정보
원영선 (서울여자대학교)
저널정보
19세기영어권문학회 19세기 영어권 문학 19세기 영어권 문학 제25권 제2호
발행연도
2021.9
수록면
143 - 170 (28page)
DOI
10.24152/NCLE.2021.9.25.2.143

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초록· 키워드

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Proposed originally as a geological term for an epoch, the Anthropocene now encapsulates the constellation of the ecological and planetary crises that humans face today. As its name (Anthropos/Cene) indicates, it tells us that humans have been profoundly disrupting the ecology of the planet earth which is now on the threshold of a series of unpredictable, catastrophic events precipitated by changes in the earth system. The idea of human beings as a planetary force thus raises fundamental questions about the anthropogenic dichotomies of man/nature, the human/nonhuman, subject/object, and human/planetary time. Literature, with its Cartesian roots, likewise faces the ontological and epistemological challenges of the Anthropocene, and is in need of new literary ways to represent Anthropocenic plights. Whether or not today’s literary forms can embrace such challenges is still an extended, open question; thus, Amitav Ghosh diagnoses the current state of literature as “the Great Derangement.” With the grounding question of how literary forms can cope with “the Great Derangement” of our age, this essay attempts to investigate how Amitav Ghosh’s The Hungry Tide engages with major issues of the Anthropocene. The essay argues that the novel’s multi-layered narrative structure reflects, and correlates with, its underlying thematic concerns, in its self-reflective interweaving of different entanglements between the human and nonhuman protagonists, between human and geoclimatological planetary history, and between the local and the global. The term “the aesthetics of entanglements” is coined to indicate the structural and thematic echoing of the novel’s narrative ways to raise such Anthropocene questions, as it epitomizes how the motif of entanglement seeps through the plurality of human and nonhuman narratives, enabling, in Ghosh’s phrasing, “unthinkable” encounters with the other-than-human to be “telescoped in such a way as to permit the telling of a story.”

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1. 문학의 인류세적 곤경
2. ‘얽힘’의 미학
3. 문학적 서사화의 인류세적 책임
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