지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 한국미술연구소 미술사논단 美術史論壇 제52호
- 발행연도
- 2021.6
- 수록면
- 7 - 29 (23page)
- DOI
- 10.14380/AHF.2021.52.7
이용수
초록· 키워드
오류제보하기
Amitabha Triad Mural, the main Buddhist painting at Muwisa Temple(無爲寺) in Gangjin, Jeollanam-do, is one of the standard works that mark the prelude to Joseon Buddhist paintings. This painting is a 15th-century Buddhist painting with clear production dates, patrons, and painters, and it is also the oldest Buddhist mural in Korea preserved in its original location. In addition, it is very valuable in that it is a rare case that can be seen in Korea, as almost all of the Buddhist paintings produced in the early Joseon Dynasty are currently in possession overseas. Nevertheless, existing studies have not been able to deal with the painters and styles in detail.
Among the three monk painters Haeryeon(海連) was a leader, and there is a possibility that he may have been an experienced artist who had previously painted murals for temple buildings. His name can be found in a list of various Buddhist scriptures, sponsored and produced by the 15th century royal family. Through this, it was confirmed that he was related to Hyoryeongdaegun(孝寧大君) and the monk Haengho(行乎). He also considered that it was possible to draw the murals of Muwisa Temple as a result of this background. This mural was painted in 1476, and has inherited many of the painting styles of Goryeo Buddhist paintings. And some of the 15th-century court styles are also visible. Although this painting is a privately sponsored work, the appearance of the court style seems to be somewhat related to the artist Haeryeon"s activities. This painting is located behind the statue of Amitabha triad. And paintings and sculptures are produced at about the same time. This arrangement had a great influence on the composition of this mural.
Among the three monk painters Haeryeon(海連) was a leader, and there is a possibility that he may have been an experienced artist who had previously painted murals for temple buildings. His name can be found in a list of various Buddhist scriptures, sponsored and produced by the 15th century royal family. Through this, it was confirmed that he was related to Hyoryeongdaegun(孝寧大君) and the monk Haengho(行乎). He also considered that it was possible to draw the murals of Muwisa Temple as a result of this background. This mural was painted in 1476, and has inherited many of the painting styles of Goryeo Buddhist paintings. And some of the 15th-century court styles are also visible. Although this painting is a privately sponsored work, the appearance of the court style seems to be somewhat related to the artist Haeryeon"s activities. This painting is located behind the statue of Amitabha triad. And paintings and sculptures are produced at about the same time. This arrangement had a great influence on the composition of this mural.
목차
Ⅰ. 머리말
Ⅱ. 〈아미타여래삼존 벽화〉의 개요
Ⅲ. 제작 화승과 행적
Ⅳ. 〈아미타여래삼존 벽화〉의 화풍 분석
Ⅳ. 맺음말
참고문헌
ABSTRACT
참고문헌 (1)
참고문헌 신청
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