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논문 기본 정보

자료유형
학술저널
저자정보
李松宰 (불교문화재연구소)
저널정보
미술사연구회 미술사연구 미술사연구 제40호
발행연도
2021.6
수록면
245 - 273 (29page)
DOI
10.52799/JAH.2021.06.40.245

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초록· 키워드

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Hwagyesa Temple has three pieces of gigantic woodblocks, in which muti-story pavison shape was carved. These form of woodblocks were totally different form <Geumganggyeongtapdo(金剛經塔圖) woodblock>, whose appearance is muti-story pagoda. Inside of muti-story pavison woodblocks Buddhist scriptures were inscribed. These ‘Tapdo (塔圖)’ woodblocks seem to a new form, by which scriptural and visual representation of Buddha words are mutually integrated.
Currently, sixteen pieces of tapdo woodblocks are left nationwide. Most of this tapdo woodblocks were carved and enshrined in Seoul and Gyeonggi province temples. Bowol Jeonggwan (普月 正觀), Bogwang Bowon (葆光 普圓), Indam Seongwol (印潭 性月), all of whom were male lay people, grhapati, participated as patrons or scribes for rendering <Geumganggyeongtapdo woodblock>(1871), <Wontonggungjeontapdo (圓通宮殿塔圖) woodblock>(1873), <Birojanajangeomjangdaenugaktapdo (毘盧遮那莊嚴藏大樓閣塔圖) woodblock>(1873). All of these woodblocks seem to become master copies for this kind of woodblocks. Later, tapdo woodblocks tend to add small seated Buddha images and lotus pedestal by which ornamental elements became more richer.
These unique activities were closely related to the Buddhist publishing trend in the 18th and 19th centuries. Although majority of temples nationwide were economically difficult due to the burden of tax at that time, some temples in Seoul and Gyeonggi Province were thought to have maintained their economic base by gaining the royal family support. If we considering the Buddhist publication movement in Seoul and Gyeonggi Province temples, publishing activities led by grhapati members can be pointed as a noticeable feature of this period.

목차

Ⅰ. 머리말
Ⅱ. ‘塔圖’ 조성과 관련 기록
Ⅲ. 화계사 塔圖 목판의 구성과 조형성
Ⅳ. 塔圖의 유통과 경기 지역 판각불사
Ⅴ. 맺음말
참고 문헌
Abstract

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